本文選題：創(chuàng)作主題 + 社會環(huán)境�。� 參考：《山西師范大學(xué)》2013年碩士論文

【摘要】：創(chuàng)作主題是我們進(jìn)行創(chuàng)作思考的第一步，也是最重要的一步，是一幅作品的靈魂，由于現(xiàn)代社會的發(fā)展，繪畫創(chuàng)作主題表現(xiàn)的空間越來越大，，但畫家們越不知道該如何選擇，就使得一些畫家跟風(fēng)，最近大家畫什么主題就創(chuàng)作什么主題，或者表現(xiàn)什么主題的創(chuàng)作有市場，什么主題的創(chuàng)作易得獎，帶有這樣的目的性進(jìn)行創(chuàng)作，所以創(chuàng)作的作品千篇一律，毫無藝術(shù)價值可言。在經(jīng)濟(jì)迅速發(fā)展的現(xiàn)代社會，人們受市場經(jīng)濟(jì)的影響，繪畫創(chuàng)作表現(xiàn)的主題一味的迎合市場的需求。在這樣的氛圍下不利于繪畫創(chuàng)作，繪畫創(chuàng)作的藝術(shù)性在下降。因此我們學(xué)習(xí)如何選擇創(chuàng)作的主題就很重要。藝術(shù)家在進(jìn)行繪畫創(chuàng)作的過程中不可避免的會受到各種因素的影響，這其中就包括了社會環(huán)境這一因素。在經(jīng)濟(jì)迅速發(fā)展的現(xiàn)代社會，商業(yè)化蔓延整個社會，人們對藝術(shù)的價值觀出現(xiàn)偏差。 本文就是要通過對創(chuàng)作主題與社會環(huán)境的關(guān)系研究，對如何選擇創(chuàng)作主題有明確的理解。通過對中外繪畫史以及中西方的歷史研究，對社會環(huán)境中的政治、經(jīng)濟(jì)、文化的分析，我們得出隨著時代的變遷和社會環(huán)境的不同，不同時代的繪畫主題會發(fā)生變化，繪畫創(chuàng)作的主題都與當(dāng)時的政治、經(jīng)濟(jì)、文化有一定的聯(lián)系。而且繪畫創(chuàng)作表現(xiàn)的主題也會影響到社會環(huán)境，兩者是相互影響的。 本文的創(chuàng)新點(diǎn)就是結(jié)合了歷史，將歷史與繪畫史相結(jié)合，不同時代有不同的繪畫創(chuàng)作主題，用典型的中西方例證，來論證繪畫創(chuàng)作主題與社會環(huán)境的關(guān)系，同時分析了中西繪畫主題選擇的差異，在結(jié)合當(dāng)今藝術(shù)家的評論，分析出在當(dāng)代繪畫創(chuàng)作中一些畫家存在的問題。得出在當(dāng)今社會大背景我們應(yīng)當(dāng)在吸取西方藝術(shù)精華的同時，結(jié)合中國當(dāng)代的政治、文化、經(jīng)濟(jì)來選擇繪畫創(chuàng)作主題。
[Abstract]:The theme of creation is the first and most important step in our creative thinking. It is the soul of a work. As a result of the development of modern society, the space for the expression of the theme of painting is increasing, but the more painters do not know how to choose, That makes some painters follow the trend, creating whatever themes they have recently drawn, or showing that there is a market for the creation of any theme, and that the creation of any theme is easy to win prizes, with such a purpose in creating. Therefore, the creation of the work of the same, there is no artistic value to speak of. In the modern society with rapid economic development, people are influenced by the market economy, and the theme of painting creation blindly meets the needs of the market. In such an atmosphere is not conducive to painting creation, painting creation in the decline of artistry. So it is important to learn how to choose the theme of creation. Artists will inevitably be affected by various factors in the process of painting, including the social environment. In the modern society with rapid economic development, commercialization spreads to the whole society and people deviate from the values of art. This paper is to study the relationship between creation theme and social environment, and have a clear understanding of how to choose creative theme. By studying the history of Chinese and foreign painting and the history of China and the West, and analyzing the politics, economy and culture in the social environment, we draw the conclusion that with the change of the times and the difference of the social environment, the painting themes of different times will change. The themes of painting are all related to politics, economy and culture at that time. And the theme of painting performance will also affect the social environment, the two are mutual influence. The innovation of this paper is to combine the history with the history of painting. There are different themes of painting creation in different times. The relationship between the theme of painting creation and the social environment is demonstrated by the typical examples of China and the West. At the same time, this paper analyzes the differences between Chinese and Western painting themes, and analyzes the problems of some painters in contemporary painting creation in combination with the comments of today's artists. It is concluded that in the background of today's society we should choose the theme of painting creation while absorbing the essence of western art and combining the contemporary politics culture and economy of China.
【學(xué)位授予單位】：山西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J204

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本文編號：2020737