本文選題：隋唐 + 石窟壁畫、花鳥畫、色彩、設色��； 參考：《中國美術學院》2014年碩士論文

【摘要】：中國古代石窟壁畫的歷史非常久遠,可以一直追溯到魏晉南北朝時期,在隋唐時期發(fā)展到鼎盛,本文中筆者試圖通過對隋唐時期最具代表性的敦煌莫高窟、新疆克孜爾石窟中壁畫的用色,尤其著眼于其中的“花鳥”形象的設色方式和色彩使用上,并將之與中國傳統(tǒng)花鳥畫的設色方式和色彩使用作比較,從而闡述其在用色上對后來的中國傳統(tǒng)花鳥畫的深遠影響。 與此同時,筆者也試圖在對于這個題材的研究中學到寶貴的知識,并能從中得到自身繪畫創(chuàng)作時的色彩運用上的有益的寶貴知識。
[Abstract]:The history of the murals of ancient Chinese grottoes is very long, which can be traced back to the Wei, Jin, Southern and Northern dynasties, and developed to the peak in the Sui and Tang dynasties. In this paper, the author tries to analyze the Dunhuang Mogao grottoes, which are the most representative in the Sui and Tang dynasties. The use of color in murals in Kizil Grottoes in Xinjiang is especially focused on the way and the use of color of the image of "flowers and birds", and compared with that of traditional Chinese paintings of flowers and birds. So as to explain its use of color on the later Chinese traditional flower and bird painting far-reaching impact. At the same time, the author also tries to learn valuable knowledge in the study of this subject, and can get the valuable knowledge of color application in his painting creation.
【學位授予單位】：中國美術學院
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J212

【參考文獻】

相關期刊論文 前2條

1 蘇伯民,李最雄,馬贊峰,李實,馬清林;克孜爾石窟壁畫顏料研究[J];敦煌研究;2000年01期

2 王志興;;從敷彩、用線、造型和布局看克孜爾石窟的壁畫風格[J];新疆師范大學學報(哲學社會科學版);2006年02期

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本文編號：2016077