本文選題：明末 + 坊刻　； 參考：《北京服裝學(xué)院》2017年碩士論文

【摘要】：中國(guó)的書籍插圖藝術(shù)發(fā)展至明代達(dá)到了“登峰造極”的地步。在明代末期特定的社會(huì)情境與文化情境下,文學(xué)插圖展現(xiàn)出極高的藝術(shù)水準(zhǔn)與商業(yè)價(jià)值。論文以明末時(shí)期文學(xué)插圖的情境作為研究?jī)?nèi)容,從坊刻系統(tǒng)切入,結(jié)合文學(xué)插圖的發(fā)展背景,對(duì)文學(xué)插圖的社會(huì)情境與文化情境以及形態(tài)與風(fēng)格流變進(jìn)行了研究。并在此基礎(chǔ)上對(duì)明末坊刻文學(xué)插圖的情境構(gòu)建進(jìn)行分析,探討文學(xué)插圖的獨(dú)特性-戲劇性情境的構(gòu)建,以揭示明末坊刻文學(xué)插圖的內(nèi)核與深層形態(tài)。從插圖藝術(shù)的角度入手去探討圖像的視覺(jué)形式與情境表達(dá),這對(duì)于當(dāng)代插圖藝術(shù)在平衡畫面、反映文本思想內(nèi)涵、傳遞情感及價(jià)值觀念上都有重要的影響。同時(shí),也對(duì)我們將傳統(tǒng)的插圖主題及形式與現(xiàn)代傳播媒介相結(jié)合具有重大意義。
[Abstract]:The art of book illustrations in China developed to the top of the Ming Dynasty. In the special social and cultural situation in the late Ming Dynasty, literary illustrations showed very high artistic level and commercial value. This paper takes the situation of literary illustrations in the late Ming Dynasty as the research content, from the angle of the carving system, combining with the background of the development of literary illustrations, studies the social and cultural situations of literary illustrations, as well as the changes of forms and styles of literary illustrations. On this basis, this paper analyzes the situation construction of literary illustrations in the late Ming Dynasty, and probes into the uniqueness of literary illustrations-the construction of dramatic situations, in order to reveal the core and the deep form of literary illustrations in the late Ming Dynasty. From the perspective of illustration art, this paper discusses the visual form and situational expression of images, which has an important influence on the contemporary illustration art in balancing the picture, reflecting the ideological connotation of the text, transmitting emotion and values. At the same time, it is of great significance for us to combine the traditional theme and form of illustration with modern media.
【學(xué)位授予單位】：北京服裝學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J218.5

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本文編號(hào)：2012231