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雪景山水畫流變考

發(fā)布時間:2018-06-12 23:13

  本文選題:雪景 + 山水畫; 參考:《曲阜師范大學(xué)》2013年碩士論文


【摘要】:雪景,是中國古代文人畫家筆下的一種繪畫靈感,也是畫家們的寵兒。古今往來,多少文人墨客通過觀雪、吟雪和畫雪等用不同的表達(dá)方式,為雪景山水畫增添了很多的涵義和悠遠(yuǎn)的文化意境。我國古代的文人對雪景山水畫鐘愛由來已久,但是雪景山水畫究竟是在何時入畫,對這樣一個問題歷來觀點不一。我們在雪景山水創(chuàng)新的過程中,不但要學(xué)習(xí)、繼和發(fā)展中國畫,還要學(xué)習(xí)他的內(nèi)在精神內(nèi)涵,也就是我們繪畫中的筆氣墨暈。在學(xué)習(xí)了古人的繪畫上的經(jīng)驗的同時,也不要忘了博采眾長,借鑒和吸收一些西方的東西,前提是吸收一些精華的東西,不能全盤西化,保持中國雪景畫的內(nèi)在傳統(tǒng)繪畫內(nèi)涵,在進(jìn)行創(chuàng)新和變化。就像古代雪景畫給我們的啟示一樣,保持著傳統(tǒng)繪畫藝術(shù)的意蘊,不斷完善筆墨技巧,在變化中求發(fā)展,這才是當(dāng)代繪畫發(fā)展的意義所在。
[Abstract]:Xuejing is a painting inspiration of ancient Chinese literati painters and a favorite of painters. In ancient and modern times, more and more literati have added a lot of meanings and distant cultural artistic conception to snow-capped landscape painting by using different expressions, such as watching snow, singing snow and painting snow. The ancient scholars of our country have a long history of loving snowscape landscape painting, but there are different views on when snowscape landscape painting was painted. In the process of snow landscape innovation, we should not only study, follow and develop Chinese painting, but also learn his inner spiritual connotation, that is, the ink in our painting. While learning the experience of the ancient paintings, we should not forget to learn from the masses and draw lessons from and absorb some Western things. The premise is that we can absorb some of the best things, cannot be completely westernized, and maintain the inherent traditional painting connotation of the Chinese snowscape painting. Innovation and change are under way. Just like the ancient snowscape painting, it keeps the meaning of the traditional painting art, constantly consummates the pen and ink skills, and strives for the development in the change, which is the significance of the development of the contemporary painting.
【學(xué)位授予單位】:曲阜師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2013
【分類號】:J212

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

1 王洪偉;;王維雪景山水在晚明時期畫學(xué)史意義探析[J];美術(shù)大觀;2010年07期

2 孟憲平;;對“水不容泛,人大于山”誤用之批評——反思古代美術(shù)史研究的一個視角[J];南京藝術(shù)學(xué)院學(xué)報(美術(shù)與設(shè)計);2010年04期

3 藍(lán)承鎧;論雪景山水[J];新美術(shù);2003年01期

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