本文選題：數(shù)碼技術(shù) + 數(shù)碼版畫　； 參考：《山西師范大學(xué)》2013年碩士論文

【摘要】：在科技信息技術(shù)發(fā)達的今天，數(shù)碼技術(shù)的出現(xiàn)對視覺藝術(shù)產(chǎn)生了很大的影響。各門藝術(shù)在其創(chuàng)作中都運用了數(shù)碼技術(shù)，藝術(shù)家大膽的嘗試與探索取得了顯著的藝術(shù)效果，產(chǎn)生了深遠的影響，受到了廣泛的關(guān)注。 在當(dāng)代版畫創(chuàng)作發(fā)展方面，數(shù)碼技術(shù)作為一種工具，它的應(yīng)用與實踐給版畫帶來了新的視覺體驗，極大的豐富了版畫的藝術(shù)效果，拓展了版畫創(chuàng)作的技法和表現(xiàn)方式。但是一些個別理論家、畫家對數(shù)碼技術(shù)的在創(chuàng)作中的運用不是太認(rèn)可，，在概念上咬文嚼字，缺乏用發(fā)展的眼光來看待數(shù)碼技術(shù)這一新生的事物。 本文主要分為四部分，第一部分主要對數(shù)碼版畫的定義及發(fā)展動態(tài)、審美特征、制作方法進行全面的概述；第二部分對發(fā)中國版畫的發(fā)展現(xiàn)狀及創(chuàng)作中面臨的問題；第三部分是數(shù)碼技術(shù)對版畫創(chuàng)作的影響，第四部分是我對數(shù)碼技術(shù)的理解與認(rèn)識，全面系統(tǒng)的闡述了數(shù)碼技術(shù)給版畫創(chuàng)作帶來的積極影響與消極影響，并對未來版畫發(fā)展趨勢的展望提出了自己的看法與建議：第一，藝術(shù)家對數(shù)碼版畫要有一個明確的定位，不斷的豐富自己的作品表現(xiàn)力與內(nèi)涵，在版畫創(chuàng)作中數(shù)碼技術(shù)的運用要與傳統(tǒng)版畫制作相互借鑒，相互融合。第二，加強數(shù)碼技術(shù)在版畫教育中的實驗與推廣，鼓勵數(shù)碼技術(shù)在版畫創(chuàng)作中的運用和實踐探索，從而為跨學(xué)科研究與產(chǎn)生新的創(chuàng)作方式提供了可能。 因此，我認(rèn)為數(shù)碼技術(shù)的運用是視覺傳達中不可缺少的因素，對豐富版畫的效果、拓展版畫的空間、提升版畫的藝術(shù)魅力具有積極的影響和意義。
[Abstract]:With the development of S & T information technology, the appearance of digital technology has a great influence on visual art. All kinds of art have used digital technology in their creation, and the artists have made bold attempts and explorations to achieve remarkable artistic effects, which have had a profound influence and received extensive attention. In the development of contemporary printmaking, Digital technology as a tool, its application and practice to print to bring a new visual experience, greatly enriched the artistic effect of printmaking, expanding the techniques and expression of printmaking. However, some individual theorists, painters, do not approve of the use of digital technology in their creations, and they are conceptually verbose and lack the perspective of development to look at this nascent thing of digital technology. This paper is mainly divided into four parts. The first part of the definition and development of digital printmaking, aesthetic characteristics, production methods for a comprehensive overview of the second part of the development of Chinese printmaking and the problems faced in the creation; The third part is the influence of digital technology on print creation. The fourth part is my understanding and understanding of digital technology. And put forward their own views and suggestions to the future development trend of printmaking: first, the artist should have a clear position to digital printmaking, constantly enrich their own work expression and connotation, The use of digital technology in printmaking should be used for reference and integrated with traditional printmaking. Second, strengthen the experiment and promotion of digital technology in print education, encourage the application and practical exploration of digital technology in print creation, thus providing the possibility for interdisciplinary research and new creative ways. I think the use of digital technology is an indispensable factor in visual communication, which has a positive impact and significance to enrich the effect of print, expand the space of print, enhance the artistic charm of print.
【學(xué)位授予單位】：山西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J217

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