本文選題：塔吉克 + 具象寫實(shí)�。� 參考：《新疆師范大學(xué)》2017年碩士論文

【摘要】：自繪畫藝術(shù)誕生以來,就給我們帶來了不一樣的藝術(shù)視覺享受。從西方美術(shù)史的發(fā)展來了解,繪畫從原始美術(shù)至今一直占據(jù)這重要的地位,看西方歷代大師作品往往震撼著我們心靈,總是耐人尋味。寫實(shí)繪畫注重對表達(dá)對象的真實(shí)捕捉,通過繪畫方式來表達(dá)對事物的理解、情感和感受。新疆塔吉克民族題材的獨(dú)特性吸引著廣大畫家的關(guān)注與青睞。塔吉克民族主要居住在新疆維吾爾自治區(qū)西南部的塔什庫爾干塔吉克自治縣,通過實(shí)地考察之后了解了他們純真、友好熱情、質(zhì)樸善良的淳樸民風(fēng),還有他們民俗文化、傳統(tǒng)的民族服飾、節(jié)日、人物形象等�；貋碇髮λ祟}材進(jìn)行了收集整理,并對塔吉克題材系列創(chuàng)作更加充滿了激情和信心。全文從四個章節(jié)來闡述塔吉克民族題材相關(guān)知識及創(chuàng)作相關(guān)的思考分析。第一章主要的內(nèi)容是選題意義、目的、研究方法及其論證、關(guān)鍵難點(diǎn)擬采取的解決措施;第二章主要內(nèi)容是塔吉克題材的分析,從傳統(tǒng)節(jié)日、傳統(tǒng)活動、傳統(tǒng)音樂舞蹈、人物形象來分析選擇塔吉克題材作為創(chuàng)作的緣由;第三章主要是新疆塔吉克題材油畫作品的表現(xiàn)形式分析,從塔吉克題材具象寫實(shí)表現(xiàn)形式分析和創(chuàng)作中學(xué)習(xí)與借鑒;第四章主要是塔吉克題材系列個人創(chuàng)作作品分析與思考,從構(gòu)圖在創(chuàng)作系列中思考、表現(xiàn)技法的探索、畫面中色彩與筆觸的運(yùn)用、以及創(chuàng)作反思來探討。論文以塔吉克題材創(chuàng)作出發(fā),通過查閱相關(guān)文獻(xiàn)資料、繪畫作品;從對塔什庫爾干的生活實(shí)踐中的體驗(yàn),不斷挖掘?qū)ふ覄?chuàng)作新的內(nèi)容,以寫實(shí)表現(xiàn)手法對當(dāng)?shù)氐恼鎸?shí)現(xiàn)象捕捉,在畫面上體現(xiàn)出塔吉克的文化魅力,民族的精神氣質(zhì)。
[Abstract]:Since the birth of painting art, it has brought us different artistic visual enjoyment. From the development of western art history, painting has always occupied this important position from the primitive art. Realistic painting focuses on capturing the object of expression and expressing the understanding, emotion and feeling of things through painting. The unique theme of Xinjiang Tajik nationality attracted the attention and favor of the majority of painters. The Tajik people mainly live in the Tashkurgan Tajik Autonomous County in the southwest of Xinjiang Uygur Autonomous region. After field visits, they have learned about their simple and simple folk style, which is pure, friendly, warm, simple and kind, as well as their folklore culture. Traditional national costumes, festivals, figures, etc. After returning to the Tajik theme collection and collation, and the Tajik theme series more full of passion and confidence. The full text from four chapters to explain the Tajik nationality theme related knowledge and creation related thinking and analysis. The main contents of the first chapter are the significance, the purpose, the research method and the demonstration, the solution to the key difficulties, the analysis of Tajik theme, the traditional festival, the traditional activity, the traditional music and dance, in the second chapter, the main content is the analysis of the Tajik theme, the traditional festival, the traditional activity, the traditional music and dance. The third chapter is the analysis of the expression form of Xinjiang Tajik oil painting, and the study and reference from the realistic expression of Tajik theme. The fourth chapter is the Tajik theme series of personal creation works analysis and reflection, from composition in the series of thinking, performance techniques of exploration, the use of color and brushwork in the screen, as well as creative reflection to explore. Based on Tajik theme creation, through consulting relevant literature, painting works, and from the experience of Tashkurgan's life practice, the thesis constantly excavates and finds new content to capture the local real phenomenon by realistic expression. In the picture reflects the Tajik cultural charm, the national spiritual temperament.
【學(xué)位授予單位】：新疆師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J213

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本文編號：2001099