本文選題：漆藝 + 漆畫��； 參考：《新疆師范大學(xué)》2017年碩士論文

【摘要】：漆藝作為一種傳統(tǒng)的制作工藝技術(shù),其歷史可以上溯到7000年以前,可以說它比較全面的見證了我國(guó)歷史文明中的各個(gè)時(shí)期。而漆畫是屬于東方民族(中國(guó)、日本、韓國(guó)、越南,原則上可稱之黃皮膚黑頭發(fā))的特有畫種,已無容置疑。其早被西方人尊稱為“永恒之畫”,無論是從其歷史的久遠(yuǎn)性還是從畫本身具有的收藏性來講,都是如此,所以被定義為與東方民族文明發(fā)展等同的最佳藝術(shù)。筆者自2015年前往臺(tái)灣中國(guó)文化大學(xué)擔(dān)任一學(xué)期的交換生,期間曾選修翁美娥教授在美術(shù)系所開授的漆畫課程,對(duì)其深感興趣。在翁教授熱誠(chéng)地教導(dǎo)之下,筆者逐漸了解到文大美術(shù)系漆畫課程規(guī)劃的艱辛過程,以及許坤成主任和翁美娥教授不辭辛勞地帶領(lǐng)漆畫課學(xué)員們從事國(guó)內(nèi)外無數(shù)次學(xué)術(shù)交流之事,讓筆者親身感受到中國(guó)文化大學(xué)美術(shù)系對(duì)漆畫教育的重視。在中國(guó)文化大學(xué)美術(shù)系教授許坤成與翁美娥所創(chuàng)立的“后立體畫派”與“BLING·流線”漆畫派中,筆者又對(duì)藝術(shù)創(chuàng)作的認(rèn)知提升了一個(gè)新的高度。故此,與翁教授多次地討論后,筆者希望能以《臺(tái)灣中國(guó)文化大學(xué)漆畫多樣化教學(xué)模式研究》作為撰寫論文的題目。
[Abstract]:Lacquer art as a traditional production technology, its history can be traced back to 7000 years ago, it can be said that it witnessed the history of China's various periods of civilization. But the lacquer painting belongs to the oriental race (China, Japan, Korea, Vietnam, in principle can be called yellow skin black hair) unique painting, has no doubt. It has long been regarded as "eternal painting" by westerners, both from its long history and its collectivity, so it is defined as the best art equivalent to the development of oriental national civilization. In 2015, the author went to Taiwan's China Culture University as an exchange student for one semester. During that time, she took the lacquer painting course taught by Professor Weng Mee in the Fine Arts Department and was deeply interested in it. Under the fervent teaching of Professor Weng, the author gradually learned about the arduous course planning of lacquer painting in the Fine Arts Department of Wen University, as well as the painstaking efforts made by Director Xu Kuncheng and Professor Weng Mei-E to lead the students in lacquer painting courses to engage in numerous academic exchanges at home and abroad. Let me personally feel the importance of lacquer painting education in the Fine Arts Department of China Culture University. In the "post-stereoscopic painting school" and "BLING streamline" lacquer painting school founded by Xu Kuncheng and Weng Mei-e, professors of Fine Arts Department of China Culture University, the author's cognition of artistic creation has been raised to a new height. Therefore, after many discussions with Professor Weng, the author hopes that the research on the diversified teaching mode of lacquer painting in Taiwan Culture and Culture University of China can be taken as the topic of writing the thesis.
【學(xué)位授予單位】：新疆師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J213.9-4;G642

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