本文選題：鄉(xiāng)土 + 人物題材�。� 參考：《中國礦業(yè)大學》2017年碩士論文

【摘要】：鄉(xiāng)土人物題材是當代中國油畫藝術的重要表現(xiàn)題材,鄉(xiāng)土人物形象具有傳統(tǒng)農業(yè)文明的精神風貌和天然印記,具有許多群體共性特征。例如鄉(xiāng)土人物大都是依托大地、靠天吃飯、跟大自然打交道的勞動者;是物質食糧、財富的生產者、創(chuàng)造者。他們世世代代都耕耘放牧在祖先勞動過的地方,對于土地、牧場、江河湖海等謀生環(huán)境的感情無比深厚;他們身上更多繼承了父輩們世代積累的淳樸勤勞的精神特質,有著濃烈的鄉(xiāng)土情結。五四運動以來至文革時期,油畫創(chuàng)作中的鄉(xiāng)土人物形象塑造,具有歷史局限性。80年代表現(xiàn)鄉(xiāng)土人物形象的油畫藝術作品引領著時代藝術風潮,預示著鄉(xiāng)土人物題材油畫創(chuàng)作的興起,此后呈現(xiàn)出多元化的繁榮發(fā)展。90年代鄉(xiāng)土人物題材油畫的多元化發(fā)展主要主要表現(xiàn)在,一個是文化內涵的多元化,一個是創(chuàng)作風格的多元化。中國鄉(xiāng)土人物題材油畫與西方的同類型的題材油畫相比,作品創(chuàng)作數(shù)量和創(chuàng)作水平顯著提升,具有顯著的創(chuàng)作特點。一是鄉(xiāng)土構成的文化因素越來越強,精神內涵的涵蓋范圍更廣。二是批判性相對減弱了,更趨于對鄉(xiāng)土人物本原性情的描繪,更傾向于藝術家個人思想情感和價值觀念的傳達。三是人物的表現(xiàn)風格多元化,創(chuàng)作和表現(xiàn)技法的多層次性,是多民族與多文化的價值的體現(xiàn)。鄉(xiāng)土人物題材油畫是在多元化、多樣性的藝術土壤上發(fā)展的,呈現(xiàn)出與其它題材不同的獨特的藝術風貌,具有深刻的社會文化原因。很多優(yōu)秀的油畫藝術家成功的將西方的油畫藝術風格與鄉(xiāng)土人物題材油畫創(chuàng)作結合起來,創(chuàng)作出震撼心靈的油畫藝術作品,值得深入研究學習。
[Abstract]:The theme of local characters is an important theme of contemporary Chinese oil painting art. The image of local characters has the spiritual features and natural imprint of traditional agricultural civilization and has many common characteristics of groups. For example, most of the local people rely on the earth, rely on the day to eat, and deal with the nature of the laborer; is the material food, wealth producers, creators. They have worked and grazed in the places where their ancestors worked for generations, and their feelings for the land, pastures, rivers, lakes, seas and other living environments are incomparably deep; they have inherited more of the simple and industrious spiritual qualities accumulated by their parents from generation to generation. There is a strong local complex. Since the May 4th Movement to the Cultural Revolution period, the local figure image in the oil painting creation has the historical limitation. The oil painting art works which express the local figure image in the 1980s lead the times art tide. Foreshadowing the rise of the creation of local people's oil paintings, and then showing a diversified prosperity and development. The diversified development of the local figures' oil paintings in the 1990s is mainly manifested in, one is the diversification of the cultural connotation, the other is the diversification of the cultural connotations. One is the diversity of creative styles. Compared with the western oil paintings of the same type, the quantity and level of creation of Chinese local characters have been improved significantly. First, the local cultural factors are becoming stronger and stronger, and the scope of spiritual connotation is wider. Second, the criticism is relatively weakened, and tends to describe the original temperament of the local characters, more inclined to convey the artist's personal thoughts, feelings and values. The third is the diversity of the characters' expression style, the multi-level of creation and performance techniques, and the embodiment of the value of multi-nationality and multi-culture. The local figure oil painting is developed on the diversified and diverse artistic soil, showing a unique artistic style and features different from other subjects, with profound social and cultural reasons. Many outstanding oil painting artists successfully combine the western oil painting art style with the local figure subject oil painting creation, creates the oil painting artistic work which shocks the soul, is worth studying deeply.
【學位授予單位】：中國礦業(yè)大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J213

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本文編號：1980871