本文選題：連環(huán)畫(huà) + 印刷術(shù)　； 參考：《中央美術(shù)學(xué)院》2013年碩士論文

【摘要】：瑞士語(yǔ)言學(xué)家索緒爾認(rèn)為,語(yǔ)言是聲音與符號(hào)的聯(lián)結(jié),共享特定地區(qū)和時(shí)間的時(shí)候,語(yǔ)言的符號(hào)特性得到充分發(fā)揮,而語(yǔ)言的含義也是由時(shí)空的共享而被定義的。社會(huì)成員通過(guò)解釋約定的聲音符號(hào),表達(dá)意思。而圖畫(huà)和文字通過(guò)視覺(jué)符號(hào)表現(xiàn)狀況或事物。從漢字等具有視覺(jué)形態(tài)的文字可以看出,圖畫(huà)曾經(jīng)也是包含信息的表現(xiàn)手段。 只用文字容易產(chǎn)生歧義的信息,可以用圖畫(huà)表現(xiàn)得更加準(zhǔn)確,有的數(shù)據(jù)化信息難以用主觀性強(qiáng)的圖畫(huà)表現(xiàn),就使用科學(xué)性的文本。隨著全球化和數(shù)字化的發(fā)展,現(xiàn)代社會(huì)圖畫(huà)與文字相結(jié)合的圖像符號(hào)(icon)的應(yīng)用趨于廣泛,逐漸替代了文本。同時(shí)隨著語(yǔ)言的多樣性,文字的視覺(jué)表現(xiàn)領(lǐng)域也變得更加寬泛。視覺(jué)溝通由來(lái)已久,但是積極運(yùn)用視覺(jué)溝通的genre(類型、種類)出現(xiàn)的時(shí)間卻沒(méi)那么長(zhǎng)。探討現(xiàn)代連環(huán)畫(huà)的功能和作用,也是研究文字與圖畫(huà)的不同作用與用法的過(guò)程。 21世紀(jì)市場(chǎng)全球化發(fā)展迅速,商業(yè)與藝術(shù)混為一體。連環(huán)畫(huà)市場(chǎng)既有大型出版社出版的一般主題的連環(huán)畫(huà),也有體現(xiàn)文化自主性的連環(huán)畫(huà)。著名作家的書(shū)被翻譯成各種語(yǔ)言,在全世界引起讀者的共鳴,小型出版社堅(jiān)持本國(guó)固有語(yǔ)言和傳統(tǒng),也堅(jiān)持著連環(huán)畫(huà)的多樣性。電子書(shū)的出現(xiàn)將促進(jìn)這一趨勢(shì)。某個(gè)領(lǐng)域要發(fā)展、要?jiǎng)?chuàng)新,就要持續(xù)保持活力。就像大多數(shù)技術(shù)一樣,需要大膽去嘗試傳統(tǒng)與創(chuàng)新思路的激情碰撞、共同發(fā)展。 本文通過(guò)回顧連環(huán)畫(huà)的歷史,從純粹美術(shù)專業(yè)角度,提出當(dāng)前環(huán)境下連環(huán)畫(huà)新的發(fā)展方向,并探討媒體創(chuàng)新的可行性。
[Abstract]:Saussure, a Swiss linguist, believes that language is the connection of sound and symbol. When a specific region and time are shared, the symbolic characteristics of language are fully brought into play, and the meaning of language is defined by the sharing of time and space. Members of society express their meaning by interpreting the agreed sound symbols. Pictures and words represent conditions or things through visual symbols. As can be seen from the visual characters such as Chinese characters, pictures used to be the means of expressing information. It is easy to produce ambiguous information only by words, and can be represented more accurately by pictures. Some digitalized information can not be represented by pictures with strong subjectivity, so scientific texts can be used. With the development of globalization and digitization, the image symbol iconiconn, which combines drawing and writing in modern society, has been widely used and gradually replaced the text. At the same time, with the diversity of languages, the field of visual representation of text has become broader. Visual communication has a long history, but the active use of visual communication genre (type, type) is not that long. Discussing the function and function of modern comic book painting is also the process of studying the different roles and usage of words and pictures. The 21 st century market globalization develops rapidly, the commerce and the art mixes as one body. The comic book market includes both the general themes published by large publishing houses and the comic books that embody cultural autonomy. Famous writers' books have been translated into various languages, which resonate with readers all over the world. Small publishing houses adhere to their native languages and traditions, as well as the diversity of comic books. The emergence of e-books will contribute to this trend. To develop and innovate in a certain field, we must maintain our vitality. As with most technologies, it takes the audacity to experiment with the passion of tradition and innovation. This paper reviews the history of comic books, from the point of view of pure art specialty, puts forward the new development direction of comic books under the current environment, and probes into the feasibility of media innovation.
【學(xué)位授予單位】：中央美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J218.4

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