本文選題：傳統(tǒng)花鳥(niǎo)畫(huà) + 色彩��； 參考：《中央美術(shù)學(xué)院》2013年碩士論文

【摘要】：本研究基于花鳥(niǎo)畫(huà)與人們生活的密切關(guān)系,研究其在創(chuàng)作過(guò)程中運(yùn)用色彩的觀念、技巧、方法,尤其是在不同歷史時(shí)期花鳥(niǎo)畫(huà)所受到社會(huì)政治、經(jīng)濟(jì)、哲學(xué)及文化傳統(tǒng)影響,所表現(xiàn)出不同的時(shí)代特征和社會(huì)作用。傳統(tǒng)花鳥(niǎo)畫(huà)創(chuàng)作中色彩的運(yùn)用,在某種程度上也是代表了一定的時(shí)代意義。對(duì)于花鳥(niǎo)畫(huà)色彩的時(shí)代特征的研究,有助于更清晰地認(rèn)識(shí)色彩的基本屬性和寓意,準(zhǔn)確把握在花鳥(niǎo)畫(huà)創(chuàng)作中對(duì)色彩的運(yùn)用,具有理論和創(chuàng)作應(yīng)用的雙重價(jià)值。 本文主要采用文獻(xiàn)研究方法。通過(guò)圖書(shū)館、網(wǎng)上書(shū)店等渠道的圖書(shū)資料查閱和中國(guó)知網(wǎng)數(shù)據(jù)庫(kù)期刊文獻(xiàn)檢索,對(duì)有關(guān)花鳥(niǎo)畫(huà)色彩時(shí)代特征及屬性進(jìn)行了文獻(xiàn)研讀、整理、歸類,經(jīng)過(guò)對(duì)資料的歸納、分析和思考,總結(jié)概括得出傳統(tǒng)花鳥(niǎo)畫(huà)時(shí)代特征及其影響因素。 研究發(fā)現(xiàn),中國(guó)傳統(tǒng)花鳥(niǎo)畫(huà)色彩具有觀念性、象征性和與西方光譜色彩學(xué)相比較的差異性等基本屬性,院體花鳥(niǎo)畫(huà)、文人花鳥(niǎo)畫(huà)、禪宗花鳥(niǎo)畫(huà)和民間花鳥(niǎo)畫(huà)承擔(dān)了不同的功能。漢唐時(shí)期、兩宋時(shí)期、元代時(shí)期和明清時(shí)期,由于社會(huì)歷史背景不同,花鳥(niǎo)畫(huà)中的色彩隨時(shí)代的變化而顯示出不同的時(shí)代性特征。這些時(shí)代性特征的變化受到了社會(huì)局勢(shì)穩(wěn)定性、統(tǒng)治階層對(duì)待花鳥(niǎo)畫(huà)藝術(shù)創(chuàng)作的態(tài)度、文化傳統(tǒng)的發(fā)展、哲學(xué)觀念的變化以及繪畫(huà)理論的發(fā)展影響。中國(guó)傳統(tǒng)花鳥(niǎo)畫(huà)在朝代更替中發(fā)展成熟,其色彩由“五色”提出,經(jīng)歷“以色貌色”到“隨類賦彩”再到“運(yùn)墨五色俱”及“六彩”說(shuō)等,色彩的時(shí)代性特征變化,使得歷代花鳥(niǎo)畫(huà)不僅僅是表現(xiàn)花花草草,更是在表現(xiàn)畫(huà)家的主觀世界和社會(huì)中的時(shí)代性。
[Abstract]:Based on the close relationship between flower and bird painting and people's life, this study studies the concept, technique and method of using color in the process of creation, especially the influence of social politics, economy, philosophy and cultural tradition on flower and bird painting in different historical periods. It shows different characteristics of the times and social functions. The use of color in the traditional flower and bird painting represents a certain significance of the times. The study of the age characteristics of flower and bird painting color is helpful to understand the basic attribute and meaning of color more clearly and accurately grasp the application of color in the creation of flower and bird painting, which has the double value of theory and creation application. This article mainly adopts the literature research method. Through the reference of library, online bookshop and the periodical literature retrieval of Chinese knowledge and net database, this paper studies, arranges, classifies and sums up the documents about the characteristics and attributes of flower and bird painting color times. Analyzing and thinking, summing up and summing up the characteristics of the traditional flower and bird painting era and its influencing factors. It is found that the color of Chinese traditional flower and bird painting has the basic attributes of idealism, symbolism and difference compared with the western spectral chromatics. The traditional flower and bird painting in the courtyard, the flower and bird painting by the literati, the flower and bird painting in Zen and the folk flower and bird painting have different functions. During the Han and Tang dynasties, the Yuan Dynasty and the Ming and Qing dynasties, because of the different social and historical background, the colors in the flower and bird paintings showed different characteristics of the times. These changes in the characteristics of the times are influenced by the stability of the social situation, the attitude of the ruling class towards the artistic creation of flower and bird painting, the development of cultural tradition, the change of philosophy and the development of painting theory. The traditional Chinese flower and bird painting developed and matured in the succession of dynasties, its color was put forward by "five colors", experienced from "color and appearance color" to "color with color" to "moving ink and five colors" and "six colors", and so on. It not only shows the flowers and plants, but also shows the painter's subjective world and the times in the society.
【學(xué)位授予單位】：中央美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J212

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本文編號(hào)：1974563