本文選題：傳統(tǒng)花鳥畫 + 色彩　； 參考：《中央美術學院》2013年碩士論文

【摘要】：本研究基于花鳥畫與人們生活的密切關系,研究其在創(chuàng)作過程中運用色彩的觀念、技巧、方法,尤其是在不同歷史時期花鳥畫所受到社會政治、經濟、哲學及文化傳統(tǒng)影響,所表現(xiàn)出不同的時代特征和社會作用。傳統(tǒng)花鳥畫創(chuàng)作中色彩的運用,在某種程度上也是代表了一定的時代意義。對于花鳥畫色彩的時代特征的研究,有助于更清晰地認識色彩的基本屬性和寓意,準確把握在花鳥畫創(chuàng)作中對色彩的運用,具有理論和創(chuàng)作應用的雙重價值。 本文主要采用文獻研究方法。通過圖書館、網上書店等渠道的圖書資料查閱和中國知網數(shù)據(jù)庫期刊文獻檢索,對有關花鳥畫色彩時代特征及屬性進行了文獻研讀、整理、歸類,經過對資料的歸納、分析和思考,總結概括得出傳統(tǒng)花鳥畫時代特征及其影響因素。 研究發(fā)現(xiàn),中國傳統(tǒng)花鳥畫色彩具有觀念性、象征性和與西方光譜色彩學相比較的差異性等基本屬性,院體花鳥畫、文人花鳥畫、禪宗花鳥畫和民間花鳥畫承擔了不同的功能。漢唐時期、兩宋時期、元代時期和明清時期,由于社會歷史背景不同,花鳥畫中的色彩隨時代的變化而顯示出不同的時代性特征。這些時代性特征的變化受到了社會局勢穩(wěn)定性、統(tǒng)治階層對待花鳥畫藝術創(chuàng)作的態(tài)度、文化傳統(tǒng)的發(fā)展、哲學觀念的變化以及繪畫理論的發(fā)展影響。中國傳統(tǒng)花鳥畫在朝代更替中發(fā)展成熟,其色彩由“五色”提出,經歷“以色貌色”到“隨類賦彩”再到“運墨五色俱”及“六彩”說等,色彩的時代性特征變化,使得歷代花鳥畫不僅僅是表現(xiàn)花花草草,更是在表現(xiàn)畫家的主觀世界和社會中的時代性。
[Abstract]:Based on the close relationship between flower and bird painting and people's life, this study studies the concept, technique and method of using color in the process of creation, especially the influence of social politics, economy, philosophy and cultural tradition on flower and bird painting in different historical periods. It shows different characteristics of the times and social functions. The use of color in the traditional flower and bird painting represents a certain significance of the times. The study of the age characteristics of flower and bird painting color is helpful to understand the basic attribute and meaning of color more clearly and accurately grasp the application of color in the creation of flower and bird painting, which has the double value of theory and creation application. This article mainly adopts the literature research method. Through the reference of library, online bookshop and the periodical literature retrieval of Chinese knowledge and net database, this paper studies, arranges, classifies and sums up the documents about the characteristics and attributes of flower and bird painting color times. Analyzing and thinking, summing up and summing up the characteristics of the traditional flower and bird painting era and its influencing factors. It is found that the color of Chinese traditional flower and bird painting has the basic attributes of idealism, symbolism and difference compared with the western spectral chromatics. The traditional flower and bird painting in the courtyard, the flower and bird painting by the literati, the flower and bird painting in Zen and the folk flower and bird painting have different functions. During the Han and Tang dynasties, the Yuan Dynasty and the Ming and Qing dynasties, because of the different social and historical background, the colors in the flower and bird paintings showed different characteristics of the times. These changes in the characteristics of the times are influenced by the stability of the social situation, the attitude of the ruling class towards the artistic creation of flower and bird painting, the development of cultural tradition, the change of philosophy and the development of painting theory. The traditional Chinese flower and bird painting developed and matured in the succession of dynasties, its color was put forward by "five colors", experienced from "color and appearance color" to "color with color" to "moving ink and five colors" and "six colors", and so on. It not only shows the flowers and plants, but also shows the painter's subjective world and the times in the society.
【學位授予單位】：中央美術學院
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J212

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本文編號：1974563