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“小資情調(diào)”工筆繪畫風(fēng)格探析

發(fā)布時間:2018-06-03 21:13

  本文選題:小資情調(diào) + 工筆; 參考:《揚州大學(xué)》2013年碩士論文


【摘要】:隨著時代的發(fā)展,人們的生活水平得到了提高。生活方式、價值觀念以及審美傾向都發(fā)生了變化,人們在物質(zhì)層面和精神層次上的追求都有了更高的標(biāo)準(zhǔn)。過去單一、樸素的傳統(tǒng)文化被多元的現(xiàn)代文化所取代。擁有大量文化資本的“小資”,在城市中找到了屬于自己的與眾不同的生活方式,并逐漸成為一種風(fēng)尚,變?yōu)橐环N文化概念。文化的大環(huán)境發(fā)生變化,必然會造就不一樣的藝術(shù)形式。 中國傳統(tǒng)的工筆繪畫在二十世紀(jì)初開始了新的探索,西方文化的沖擊使其對傳統(tǒng)產(chǎn)生了懷疑和彷徨,但卻讓其走出傳統(tǒng)了的束縛,形成了新的具有現(xiàn)代意義的工筆繪畫風(fēng)格。在這百花齊放的時代大潮中,以“70后”畫家為主體的“小資情調(diào)”工筆繪畫成為了當(dāng)代最具影響力的新興的工筆繪畫風(fēng)格之一。 本文從“小資情調(diào)”工筆繪畫的定義出發(fā),分別從形式語言上和主題內(nèi)容特點上進行深入分析“小資情調(diào)”工筆繪畫的風(fēng)格特征!靶≠Y情調(diào)”工筆繪畫畫面中高格調(diào)的色彩和打破陳規(guī)的線都具有鮮明的時代特征;畫面內(nèi)容的選擇往往具有超現(xiàn)實性,畫面中的物象既寫實又夸張;并將帶有寓意的符號化元素加入畫面中,象征和表達作者內(nèi)心深處的情緒;畫面中的細節(jié)被重視,細致而又繁復(fù)。通過其成因的分析更能夠透徹的發(fā)現(xiàn),以“70后”為主的“小資情調(diào)”工筆繪畫的出現(xiàn)并非偶然,而是現(xiàn)代審美嬗變的過程。 “小資情調(diào)”出現(xiàn)在文學(xué)、影視,然而在當(dāng)代美術(shù)的研究并沒有以“小資情調(diào)”作為一個關(guān)鍵詞進行分析和研究當(dāng)代工筆繪畫的特質(zhì),無論是網(wǎng)絡(luò)、商業(yè)、文學(xué)、影視等方面都常見的詞“小資情調(diào)”在繪畫方面卻成了盲點,無疑是讓人遺憾的。研究當(dāng)代工筆繪畫中的小資情調(diào)、看清當(dāng)代小資情調(diào)的工筆繪畫的內(nèi)在是非常必要和必須的,并以此填補小資情調(diào)現(xiàn)代工筆繪畫風(fēng)格研究的空白,對后人亦有借鑒作用,此為本文研究的目的與意義。
[Abstract]:With the development of the times, people's living standard has been improved. Life style, values and aesthetic tendencies have all changed, and people's pursuit in the material and spiritual levels has higher standards. In the past, the simple and simple traditional culture was replaced by the pluralistic modern culture. With a large number of cultural capital, "small capital" in the city to find their own unique way of life, and gradually become a fashion, into a cultural concept. Cultural environment changes, will inevitably create a different form of art. Chinese traditional meticulous brushwork painting began a new exploration at the beginning of the 20th century. The impact of western culture made it doubt and hesitate to the tradition, but let it out of the bondage of tradition, and formed a new style of meticulous brushwork painting with modern significance. In this era of blooming tide, "after 70" painter as the main body of "small money sentiment" fine brushwork painting has become one of the most influential contemporary style of fine brushwork painting. Starting from the definition of fine brushwork painting, this paper analyzes the style and characteristics of meticulous brushwork painting in terms of formal language and subject content respectively. The color of high style and the line of breaking the stereotype in the fine brushwork painting of "small money sentiment" have distinct characteristics of the times, the choice of the picture content is often super-realistic, the object image in the picture is both realistic and exaggerated; The symbolized elements with implication are added to the picture to symbolize and express the deep feelings of the author; the details of the picture are paid attention to, detailed and complicated. Through the analysis of its causes, we can find out thoroughly that the appearance of meticulous brushwork painting of "small capital sentiment", which is mainly "after 70", is not accidental, but the process of modern aesthetic evolution. "Little money sentiment" appears in literature, film and television. However, the study of contemporary art does not take "small capital sentiment" as a key word to analyze and study the characteristics of contemporary meticulous brushwork painting, whether it is network, business, literature, Film and television, and other common words, "little money sentiment" in painting has become a blind spot, is undoubtedly regrettable. It is very necessary and necessary to study the sentiment of petty capital in contemporary meticulous brushwork painting, to see clearly the intrinsic features of contemporary meticulous brushwork painting, and to fill in the blank in the study of modern meticulous brushwork painting style, which can also be used as a reference for future generations. This is the purpose and significance of this study.
【學(xué)位授予單位】:揚州大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2013
【分類號】:J212

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