本文選題：繪畫(huà) + 中的��； 參考：《中央美術(shù)學(xué)院》2017年碩士論文

【摘要】：繪畫(huà)中時(shí)間的體現(xiàn)我在本文的論述中主要分為兩個(gè)大的方面,一是時(shí)間作為繪畫(huà)過(guò)程中的線索,二是表達(dá)繪畫(huà)中的時(shí)間感。兩個(gè)方向只是論述的角度不同,而并不沖突,偶爾也會(huì)有交叉之處。首先繪畫(huà)可以具有時(shí)間性,體現(xiàn)在表現(xiàn)人們感知事物的過(guò)程,這種過(guò)程帶來(lái)的是對(duì)事物認(rèn)知表達(dá)的完整與真實(shí),這種過(guò)程可以體現(xiàn)在作畫(huà)前的觀察學(xué)習(xí)的過(guò)程,創(chuàng)作中的觀察與體悟過(guò)程,甚至是作品完成后作品內(nèi)涵逐步完成的過(guò)程。繪畫(huà)也可以帶給時(shí)間以更大的自由,來(lái)進(jìn)行意識(shí)的表達(dá)。在意識(shí)的空間中所有的物象是人的意識(shí)圖像化的結(jié)果。時(shí)間和空間的規(guī)律可以被打破。完成時(shí)空的跳躍,錯(cuò)位,扭曲。其次,時(shí)間感也可以作為畫(huà)面表達(dá)對(duì)象。這種時(shí)間感之所以能被人們所捕捉,主要是依賴(lài)于人們的已有的腦海中的視覺(jué)經(jīng)驗(yàn)與一些具有暗示性的視覺(jué)因素發(fā)生對(duì)接,產(chǎn)生時(shí)間的聯(lián)想,從而制造出時(shí)間的感覺(jué)。
[Abstract]:The reflection of time in the painting is mainly divided into two major aspects, one is the time as a clue in the painting process, the two is to express the sense of time in the painting. The two direction is only the angle of discussion, but it does not conflict, and occasionally there will be a cross. The process of knowing things brings about the integrity and truth of the cognitive expression of things. This process can be embodied in the process of observing and learning before drawing, the process of observation and understanding in the creation, and even the process of gradual completion of the content of the works after the work is completed. In the space of consciousness, all objects in the space of consciousness are the result of the image of human consciousness. The laws of time and space can be broken. The jumping, dislocation and distortion of time and space are accomplished. Secondly, time can also be expressed as a picture. The reason why this sense of time can be caught by people is mainly dependent on people's existing brain. The visual experience is linked to some suggestive visual factors, resulting in the association of time, thus creating a sense of time.
【學(xué)位授予單位】：中央美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J205

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