本文選題：李可染 + 人物畫�。� 參考：《杭州師范大學(xué)》2013年碩士論文

【摘要】：二十世紀(jì)的中國正處于動(dòng)蕩不安,社會(huì)變革的歷史時(shí)期,同樣也是東西方文化激烈碰撞并試圖融合的時(shí)期,面對(duì)社會(huì)變革和不同文化的入侵,中國畫尤其是人物畫的發(fā)展遭到了巨大打擊,但即使在這樣的大環(huán)境下,李可染先生仍成功走出一條適合現(xiàn)代東方表現(xiàn)性的寫意藝術(shù)之路。 當(dāng)今社會(huì),人物畫發(fā)展也面臨著同二十世紀(jì)相似的問題,本課題想通過對(duì)人物畫史上取得很大成功的李可染個(gè)案分析,并結(jié)合現(xiàn)代各種“寫實(shí)的”、“寫意的”人物畫現(xiàn)狀,從他獨(dú)特的審美趣味性入手,探索李可染在傳承和創(chuàng)新上取得成功的秘訣,并以此學(xué)習(xí)和借鑒,在李可染身上得到一些啟示,這也是我寫這篇文章的初衷。 從結(jié)構(gòu)上看,本文主要分為六個(gè)部分：第一部分是對(duì)本課題的研究背景和意義,國內(nèi)外研究現(xiàn)狀及研究方法、技術(shù)路線進(jìn)行簡單的陳述；第二部分介紹了李可染人物畫的幾種類型和不同時(shí)期的藝術(shù)風(fēng)貌；第三部分分析影響李可染人物畫藝術(shù)特色的成因,先從三個(gè)方面(“意”、“形”、“意形轉(zhuǎn)換”)上總結(jié)出其藝術(shù)特色,在從取法來源(師“西方”、師“傳統(tǒng)”、師“造化”)和審美來源上闡述影響其藝術(shù)特色形成的原因；第四章是同傅抱石人物畫在筆墨和造型上進(jìn)行對(duì)比,得出李可染人物畫獨(dú)特的審美趣味；第五章也是本文的重點(diǎn)章節(jié),通過對(duì)李可染人物畫上遇到并解決的問題分析,闡述其在傳承與創(chuàng)新上的現(xiàn)實(shí)意義以及值得我們學(xué)習(xí)和借鑒的經(jīng)驗(yàn)；第六章是結(jié)語部分。
[Abstract]:In the 20th century, China is in a period of turbulence and social change. It is also a period of intense collision and integration of eastern and western cultures, facing social changes and the invasion of different cultures. The development of Chinese painting, especially figure painting, has been hit hard, but even in such a big environment, Mr. Li Keran still successfully walked a road of freehand brushwork suitable for modern oriental expressiveness. In today's society, the development of figure painting is also faced with similar problems as in the 20th century. This subject wants to analyze the Li Keran case, which has achieved great success in the history of figure painting, and combine with various modern "realistic" and "freehand" figures. Starting from his unique aesthetic interest, this paper explores the secret of Li Keran's success in inheritance and innovation, and learns from it and gets some enlightenment from Li Keran, which is the original intention of my writing this article. From the structure point of view, this paper is divided into six parts: the first part is the research background and significance of this topic, domestic and foreign research status and research methods, technical route for a simple statement; The second part introduces several types of Li Keran figure painting and the artistic features of different periods, the third part analyzes the causes of influencing the artistic characteristics of Li Keran figure painting, first from three aspects ("meaning", "form"), It summarizes its artistic characteristics from the sources of "western", "tradition" and "creation", and expounds the reasons that affect the formation of its artistic characteristics. The fourth chapter is compared with the Fu Baoshi figure painting in the pen and ink and the modelling, obtains the Li Keran figure painting unique esthetic interest; the fifth chapter also is this article key chapter, through to the Li Keran figure painting meets and solves the question analysis, It expounds its realistic significance in inheritance and innovation and the experience that we should learn and learn from. Chapter six is the conclusion part.
【學(xué)位授予單位】：杭州師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J212

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本文編號(hào)：1956834