本文選題：中國(guó)寫(xiě)實(shí)畫(huà)派 + 本體語(yǔ)言�。� 參考：《鄭州大學(xué)》2013年碩士論文

【摘要】：油畫(huà)語(yǔ)言是一種視覺(jué)語(yǔ)言,藝術(shù)家總是通過(guò)可視可感的藝術(shù)形象和觀眾對(duì)話,而塑造出這種可視形象并能將其感情傳達(dá)給觀賞者的物質(zhì)基礎(chǔ)與精神內(nèi)涵就是油畫(huà)的本體語(yǔ)言與精神品格。所謂本體語(yǔ)言就是由畫(huà)種的物性材料特征所決定的有別于其他畫(huà)種的藝術(shù)語(yǔ)言,換句話來(lái)說(shuō)就是指由特定媒介材料構(gòu)成的形、色、空間、等結(jié)構(gòu)形態(tài),同時(shí)包括構(gòu)成這種結(jié)構(gòu)形態(tài)的技術(shù)和表達(dá)方式。換句話來(lái)說(shuō)油畫(huà)的本體語(yǔ)言就是含有油畫(huà)所獨(dú)有的特征的語(yǔ)言,即材質(zhì)語(yǔ)言與視覺(jué)語(yǔ)言。而精神品格則是藝術(shù)家對(duì)歷史文化傳承積淀與文明精神的追求,它包含的全部?jī)?nèi)容即為人們所處時(shí)代環(huán)境、社會(huì)環(huán)境中的文化,政治,經(jīng)濟(jì),哲學(xué)等因素,也就是油畫(huà)作品通過(guò)題材和內(nèi)容所表現(xiàn)出來(lái)的對(duì)社會(huì)、歷史、哲學(xué)、文化等元素的精神內(nèi)涵。作為中國(guó)一個(gè)權(quán)威的寫(xiě)實(shí)油畫(huà)組織——中國(guó)寫(xiě)實(shí)畫(huà)派,集合了中國(guó)當(dāng)代較為有實(shí)力的寫(xiě)實(shí)油畫(huà)家,他們尊重寫(xiě)實(shí),尊重傳統(tǒng)文化,強(qiáng)調(diào)人文和理性精神,堅(jiān)信：沒(méi)有傳統(tǒng)就沒(méi)有文明。因此他們用平實(shí)的傳統(tǒng)寫(xiě)實(shí)繪畫(huà)語(yǔ)言傳述著非凡的作品精神品格。然而,油畫(huà)來(lái)自于西方,有著西方的文化內(nèi)質(zhì),而它傳統(tǒng)本體語(yǔ)言在中國(guó)寫(xiě)實(shí)油畫(huà)中有了怎樣的發(fā)展呢?中國(guó)寫(xiě)實(shí)畫(huà)派這一權(quán)威的寫(xiě)實(shí)藝術(shù)群體在作品的精神內(nèi)涵與格調(diào)上又有著怎樣的探索呢?
[Abstract]:Oil painting language is a kind of visual language, and artists always talk to the audience through visual images. The material basis and spiritual connotation of creating this visual image and conveying its feelings to the viewer is the Noumenon language and spiritual character of the oil painting. The so-called Noumenon language is the artistic language that is different from other painting types determined by the physical material characteristics of the painting species. In other words, it refers to the form, color, space, and other structural forms composed of specific media materials. At the same time, it includes the technique and expression of the structure form. In other words, the Noumenon language of oil painting is the language which contains the unique features of oil painting, that is, material language and visual language. The spiritual character is the artist's pursuit of the historical and cultural heritage and the civilized spirit. It contains all the elements of culture, politics, economy, philosophy and so on in the environment of the times and the social environment in which people live. This is the spiritual connotation of the elements of society, history, philosophy, culture and so on. As an authoritative realistic oil painting organization in China, the Chinese realistic painting School gathers the more powerful Chinese contemporary realistic oil painters, who respect realism, respect traditional culture, emphasize humanism and rational spirit. Firmly believe that there is no civilization without tradition. As a result, they use plain traditional realistic painting language to convey the extraordinary spiritual character of the work. However, the oil painting comes from the west, has the western culture endoplasm, and its traditional ontology language in the Chinese realistic oil painting has what kind of development? What kind of exploration is there in the spiritual connotation and style of the works of this authoritative realistic art group in China?
【學(xué)位授予單位】：鄭州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J213

【參考文獻(xiàn)】

相關(guān)重要報(bào)紙文章 前1條

1 殷雙喜;[N];文藝報(bào);2004年

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本文編號(hào)：1953994