本文選題：水彩 + 歷史總結(jié)��； 參考：《湖北美術(shù)學(xué)院》2017年碩士論文

【摘要】：歷史上的所有繪畫流派的產(chǎn)生和發(fā)展,都與人類對內(nèi)心精神審美的追求有著千絲萬縷的內(nèi)在聯(lián)系。而水彩畫則是一支在歷史上經(jīng)歷著萌發(fā)——獨立——發(fā)展——衰落——再發(fā)展——這種起起落落式發(fā)展的獨特畫種。本文希望藉由水彩畫發(fā)展的歷史路線,剖析這一畫種在歷史上興衰的本質(zhì)原因。同時,結(jié)合中國水彩畫發(fā)展的環(huán)境與特點,展望中國水彩畫在獨立和發(fā)展的過程中,它所延伸出的多元化發(fā)展方向以及未來表現(xiàn)形式。以歷史分析和綜合分析為主要方法,來探索未來水彩畫創(chuàng)作中的多種可能性,以期為未來水彩畫發(fā)展道路提供理論支持。
[Abstract]:The emergence and development of all painting schools in history are inextricably related to the pursuit of inner spiritual aesthetics. The watercolor painting is a unique kind of painting which has experienced the history of germination-independence-development-decline-re-development-this kind of ups and downs of the development. This paper hopes to analyze the essential reasons for the rise and fall of watercolor painting through the historical route of its development. At the same time, combined with the environment and characteristics of the development of Chinese watercolor painting, it looks forward to the diversified development direction and future manifestation of Chinese watercolor painting in the process of independence and development. Taking historical analysis and comprehensive analysis as the main methods, this paper explores various possibilities in the future watercolor painting creation, in order to provide theoretical support for the future watercolor painting development path.
【學(xué)位授予單位】：湖北美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J215

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 仇琰;;英國水彩的歷史缺失[J];中國美術(shù);2011年02期

，

本文編號：1945551