本文選題：金農 + 揚州八怪　； 參考：《西安美術學院》2017年碩士論文

【摘要】：金農被許多人稱為“揚州八怪”之首,他博學多才,喜愛金石字畫,工于詩文書法,文學造詣與個人修養(yǎng)很高。五十歲時開始作畫,基于其深厚的文化底蘊,將詩書畫融為一體,終成一代大家�？登⑹�,揚州地區(qū)鹽商的興起使市場異常活躍,在這種背景下,金農為了求得生存,順應了市場要求,將作畫自娛與作畫娛人相結合,使書畫作品商品化。這一行為打破了傳統(tǒng)文人畫中“以畫為業(yè)則陋”的觀念,也沖擊了傳統(tǒng)文人畫中的雅俗觀,金農藝術中的“雅”和“俗”相互交融,更是達到了雅俗共賞境界。而金農自身是一個具有傲骨品行之人,他的畫面中常常顯現(xiàn)出冷逸的文人氣質,本文將重點分析他在繪畫市場興起的條件下,其繪畫中的“雅”與“俗”。本文分為三個部分,首先從金農藝術中的“雅”入手,敘述金農審美之雅、畫面審美之雅、格調之雅,由此舉例說明金農藝術的“雅”在何處;第二個部分主要說明其藝術中的“俗”,從作品的題材、種類、畫面等方面入手,縱橫比較后說明金農藝術“俗”于何處;本文最后一部分雅俗共賞章節(jié)總結出金農藝術中的“雅”與“俗”對后世產(chǎn)生的影響,以及當今繪畫作品對其雅俗觀繼承與發(fā)展所具有的普遍意義。
[Abstract]:Jin Nong was called "Yangzhou eight strange" by many people, he learned many talents, love stone calligraphy, works in poetry and calligraphy, literary attainments and personal cultivation is very high. He began painting at the age of fifty, and based on his profound cultural background, he merged poetry, calligraphy and painting into a whole generation. The rise of salt merchants in Yangzhou made the market extremely active in the prosperous period of Kang and Qian. In this background, Jinnong, in order to survive, complied with the requirements of the market, combined painting and painting entertainment with people, and made the calligraphy and painting works commercialized. This behavior breaks the concept of "painting is humble" in traditional literati painting, and also impinges on the concept of elegance and vulgarity in traditional literati painting. "elegance" and "vulgarity" in Jinnong art blend with each other and reach the realm of common appreciation of elegance and folklore. Jin Nong himself is a person with good character, his paintings often show a cool literati temperament, this article will focus on his painting in the rise of the conditions, his painting in the "elegant" and "vulgar". This article is divided into three parts. Firstly, starting with the "elegance" in Jinnong art, the author narrates the elegance of Jinnong's aesthetics, the aesthetic elegance of the picture and the elegance of the style, thus illustrating the location of the "elegance" of Jinnong art. The second part mainly explains the "vulgarity" in his art, starting with the subject matter, the kind, the picture and so on, and explains where the "vulgarity" of Jinnong art lies after the vertical and horizontal comparison. The last part of this paper summarizes the influence of "elegance" and "vulgarity" in Jinnong art on later generations, and the universal significance of the inheritance and development of the concept of elegance and vulgarity in today's painting works.
【學位授予單位】：西安美術學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J212

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本文編號：1945388