本文選題：街市人物 + 中國(guó)外銷畫��； 參考：《浙江理工大學(xué)》2016年碩士論文

【摘要】：在攝影術(shù)發(fā)明之前,繪畫作為文字之外另一種記錄事實(shí)的工具,兼具普世性和藝術(shù)性。在18世紀(jì)末至19世紀(jì)前期的中國(guó)廣州,曾有一批活躍于外銷畫市場(chǎng)的民間畫師,他們接觸、學(xué)習(xí)西方寫實(shí)繪畫技法,并將其運(yùn)用于對(duì)中國(guó)本土真實(shí)題材的繪制中去,呈現(xiàn)出融合中西特點(diǎn)的畫作。因?yàn)檫@些畫作的購(gòu)買者絕大多數(shù)來(lái)自歐洲國(guó)家,目前多收藏于海外美術(shù)館、博物館,或被私人收藏,在中國(guó)除廣州及港澳以外鮮有收藏。近幾年,盡管隨著我國(guó)學(xué)界、收藏界對(duì)這些海外的中國(guó)外銷畫重視度加深,相關(guān)研究文獻(xiàn)的數(shù)量有所增加,但是筆者從搜集到的資料來(lái)看,我國(guó)學(xué)者對(duì)其研究的范圍大多局限在西方相關(guān)研究成果之內(nèi),研究角度缺乏創(chuàng)新,對(duì)于外銷畫繪畫風(fēng)格的研究仍屬于薄弱環(huán)節(jié),所以筆者希望以繪畫的角度研究這類風(fēng)格特殊的繪畫。通過(guò)瀏覽多種題材的畫作,最終決定將一組街市人物水彩畫作為重點(diǎn)研究對(duì)象,并將它們限定在18世紀(jì)末至19世紀(jì)前期以廣州為中心制作的圖像,聯(lián)系歷史發(fā)展過(guò)程和市場(chǎng)經(jīng)濟(jì)需求,著重分析繪畫特色,總結(jié)畫風(fēng)形成的原因,力求全面客觀地對(duì)廣州街市人物外銷畫的價(jià)值和意義作出評(píng)價(jià)。本論文的主要的創(chuàng)新點(diǎn)在于以中國(guó)繪畫為本體,分析這組繪畫在“透視”、“光影”中蘊(yùn)含的東方意味;結(jié)合西方繪畫發(fā)展階段,分析影響當(dāng)時(shí)廣州街市人物外銷畫繪作的西畫技法;將這組繪畫與宮廷長(zhǎng)卷畫作類比,以突出廣州街市人物外銷畫的藝術(shù)價(jià)值和存在意義。筆者希望本論文可以引起相關(guān)學(xué)術(shù)界對(duì)18世紀(jì)末至19世紀(jì)前期廣州街市人物外銷畫的關(guān)注,從多元化的角度對(duì)這批優(yōu)秀外銷畫進(jìn)行研究,并對(duì)當(dāng)時(shí)從事外銷畫繪制的職業(yè)畫師做出客觀公正的評(píng)價(jià)。
[Abstract]:Before photography was invented, painting was both universal and artistic as a means of recording facts in addition to words. In Guangzhou, China, from the end of the 18th century to the early 19th century, there was a group of folk painters who were active in the export painting market. They came into contact with Western realistic painting techniques and applied them to the drawing of real Chinese subjects. The painting shows a combination of Chinese and Western characteristics. Because the vast majority of buyers of these paintings come from European countries, most of them are currently in overseas art galleries, museums or private collections, with few collections in China except in Guangzhou, Hong Kong and Macao. In recent years, although the number of relevant research documents has increased with the increasing attention paid by Chinese scholars and collectors to these overseas Chinese export paintings, the author looks at the data collected. Most of the research scope of Chinese scholars is limited to western related research results, the research angle is lack of innovation, and the research on the painting style of export painting is still a weak link. Therefore, the author hopes to study this kind of special style of painting from the perspective of painting. By looking at paintings with a wide range of subjects, he finally decided to focus on a group of watercolor paintings of market figures and limit them to images made in Guangzhou from the end of the 18th century to the early 19th century. In connection with the historical development process and the market economy demand, this paper analyzes the characteristics of painting, summarizes the reasons for the formation of painting style, and tries to evaluate the value and significance of the export paintings of the characters in Guangzhou market comprehensively and objectively. The main innovation of this thesis lies in taking Chinese painting as the main body, analyzing the oriental meaning of this group of paintings in "Perspective" and "Light and Shadow", combining with the development stage of western painting, This paper analyzes the techniques of western paintings that influenced the export paintings of figures in Guangzhou market at that time, and compares the paintings with the long curl paintings of the court in order to highlight the artistic value and the existential significance of the export paintings of the figures in Guangzhou market. The author hopes that this paper can draw the attention of the relevant academic circles to the export paintings of Guangzhou market figures from the end of the 18th century to the early 19th century, and study these excellent export paintings from the perspective of diversification. And at that time engaged in export painting professional painting division to make an objective and fair evaluation.
【學(xué)位授予單位】：浙江理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：J205

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相關(guān)碩士學(xué)位論文 前1條

1 王曼姣;廣州街市人物外銷畫特色研究[D];浙江理工大學(xué);2016年

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本文編號(hào)：1942403