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楊家埠“同順德”年畫(huà)作坊研究

發(fā)布時(shí)間:2018-05-27 09:31

  本文選題:楊家埠 + “同順德”畫(huà)店; 參考:《浙江理工大學(xué)》2013年碩士論文


【摘要】:山東省濰坊市“同順德”畫(huà)店是清代創(chuàng)立并經(jīng)過(guò)四代人傳承下來(lái)的年畫(huà)作坊,是濰縣(今山東省濰坊市市區(qū)解放前的舊稱)木版年畫(huà)的典型代表。近年來(lái)隨著區(qū)域商品經(jīng)濟(jì)的迅猛發(fā)展,民間年畫(huà)受到一定打擊,年畫(huà)傳承藝人寥寥無(wú)幾,年畫(huà)作坊也在逐漸消失。據(jù)筆者實(shí)地調(diào)研,整個(gè)楊家埠地區(qū)能制作木版年畫(huà)的作坊目前不過(guò)兩三家,,歷史最為悠久且傳承體系最為完整的僅有同順德畫(huà)店一家。本文研究的目的就是通過(guò)社會(huì)學(xué)和美術(shù)學(xué)對(duì)“同順德”年畫(huà)作坊進(jìn)行分析研究,指出社會(huì)變革對(duì)濰坊“同順德”木版年畫(huà)創(chuàng)作的影響,探索社會(huì)和民間藝術(shù)之間的關(guān)系,以便更好的認(rèn)識(shí)和理解民間美術(shù)。 本文研究的內(nèi)容主要有五章,第一章是緒論,主要分析本文寫(xiě)作的目的、研究的意義和研究的范圍與方法;第二章是“同順德”年畫(huà)作坊的歷史沿革,分析介紹了楊家埠木板年畫(huà)的發(fā)展歷史,“同順德”家傳淵源,并對(duì)藝人楊洛書(shū)進(jìn)行了介紹;第三章是“同順德”木版年畫(huà)代表作品分析,主要分析了神像紙馬類、喜慶類、歷史故事類、戲文故事類和花鳥(niǎo)魚(yú)蟲(chóng)類五類楊家埠木板年畫(huà),并對(duì)“同順德”畫(huà)店不同時(shí)期的木版年畫(huà)作品進(jìn)行了分析。第四章是“‘同順德’年畫(huà)的藝術(shù)特色分析,從構(gòu)圖、造型、刻版、用色四個(gè)方面進(jìn)行解說(shuō),通過(guò)分析總結(jié)出同順德藝人在民間藝術(shù)發(fā)展道路上,吸收傳統(tǒng),與時(shí)俱進(jìn),順應(yīng)時(shí)代發(fā)展的典型性。同時(shí)闡述了“同順德”木版年畫(huà)的工具、用料和制作工藝;第五章是“同順德”木版年畫(huà)的保護(hù)及傳承,主要從加大對(duì)楊家埠木版年畫(huà)的研究和整理、做好對(duì)楊家埠傳承人的保護(hù)、以及加強(qiáng)對(duì)楊家埠木版年畫(huà)立法保護(hù)這幾個(gè)個(gè)方面提出了意見(jiàn)及建議。本文希望通過(guò)對(duì)“同順德”年畫(huà)作坊的分析和研究,可以為后人研究民間年畫(huà)提供有價(jià)值的資料。
[Abstract]:Weifang City, Shandong Province "Tongshunde" painting shop was founded in the Qing Dynasty and passed down through four generations of New year painting workshop, Weixian (now Weifang City before the liberation of the old name) woodcut New year's pictures typical representative. In recent years, with the rapid development of regional commodity economy, folk New year paintings suffered a certain blow. According to the author's field investigation, there are only two or three workshops in Yangjiabu area that can produce woodblock New year paintings. Only one shop in Tongshunde has the longest history and the most complete heritage system. The purpose of this study is to analyze and study the New year painting Workshop of "Tongshunde" through sociology and fine arts, to point out the influence of social change on the creation of woodcut New year paintings of Weifang "Tongshunde", and to explore the relationship between society and folk art. In order to better understand and understand folk art. The main contents of this paper are five chapters, the first chapter is the introduction, mainly analyzes the purpose, significance, scope and methods of the study, the second chapter is the historical evolution of the New year painting workshop of "Tongshunde". This paper analyzes and introduces the development history of Yangjiabu plank New year's Pictures, the family history of "Tongshunde", and introduces the artist Yang Luoshu. The third chapter is the analysis of the representative works of "Tongshunde" woodcut New year paintings, mainly analyzing the idols, horses, jubilation, etc. Historical stories, drama stories, flowers, birds, fish and insects, five types of Yangjiabu wood New year paintings, and the "Tongshunde" shop in different periods of wood-style New year paintings works were analyzed. The fourth chapter is "with Shunde" the art characteristic analysis, from the composition, the modelling, the engraving, the color four aspects carries on the explanation, through the analysis summarizes with the Shunde artist in the folk art development road, absorbs the tradition, advances with the times, Conform to the typical development of the times. At the same time, the paper expounds the tools, materials and production techniques of "Tongshunde" woodplate New year Pictures. The fifth chapter is the protection and inheritance of "Tongshunde" woodplate New year Pictures, mainly from increasing the research and arrangement of Yangjiabu woodplate New year Pictures. The author puts forward some suggestions and suggestions on how to protect the inheritors of Yangjiabu and how to strengthen the legislative protection of Yangjiabu woodblock paintings. This paper hopes to provide valuable materials for future generations to study folk New year paintings through the analysis and study of the New year painting Workshop of Tongshunde.
【學(xué)位授予單位】:浙江理工大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2013
【分類號(hào)】:J218.3

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相關(guān)期刊論文 前1條

1 曹淮;陳曉華;;論地域性危機(jī)與民間美術(shù)的當(dāng)代出路[J];藝術(shù)百家;2007年03期

相關(guān)碩士學(xué)位論文 前1條

1 李瑞紅;濰坊楊家埠年畫(huà)的歷史考察[D];山東大學(xué);2005年



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