本文選題：民間美術(shù) + 薰畫藝術(shù)��； 參考：《西安工程大學》2013年碩士論文

【摘要】：中華文化源遠流長，我們的祖先為我們留下了相當豐富的物質(zhì)文化遺產(chǎn)的同時，也留下了規(guī)模龐大的非物質(zhì)文化遺產(chǎn)。勞動大眾在漫長歷史過程中根據(jù)自身生活的需要創(chuàng)造出了形式多樣且用途廣泛的民間美術(shù)品，民間美術(shù)有著極高的文化價值，，它包含了中國傳統(tǒng)社會中下層人民的圖騰崇拜、宗教信仰、當?shù)仫L俗以及生活習慣等，它作為下層文化的一支，和宮廷美術(shù)、文人士大夫美術(shù)等上層文化一起，共同構(gòu)建起中華文化的大廈。 當前中國社會轉(zhuǎn)型，人們的生產(chǎn)生活條件與方式發(fā)生著前所未有的改變，伴隨著這些變化，民間美術(shù)逐漸失去了它生存與發(fā)展的空間和土壤，從而導致了民間美術(shù)形式慢慢地退出了我們的生活，消失在人們的視線中。這是歷史的必然。然而隨著國家的發(fā)展，伴隨著物質(zhì)文明建設的同時，應該是精神文明的共同繁榮。中華文化要發(fā)展，就必須以自身的傳統(tǒng)文化為根基，繼承和發(fā)揚其中的優(yōu)秀傳統(tǒng)，而作為中華傳統(tǒng)文化的重要組成部分，就不能不關(guān)注民間美術(shù)。 本文在陜北文化大背景下，以富縣的民間薰畫藝術(shù)為切入點，首先挖掘富縣薰畫藝術(shù)的文化土壤，然后從歷史傳承，作畫步驟，審美特征等方面對民間薰畫藝術(shù)做了全面的研究，希望更多的人們能夠認識、了解薰畫，使薰畫藝術(shù)這一古老的民間藝術(shù)形式更加得到重視，從而起到對這一非物質(zhì)文化遺產(chǎn)的保護作用。 中國的插畫在將來的發(fā)展中必須借鑒傳統(tǒng)，畫中國的故事，體現(xiàn)我們的文化。在陜北富縣民間薰畫藝術(shù)中，常利用借物傳情、諧音表意的手法，把不同時間、不同地點、不同類型的形象組合起來形成新的可視形象，稱得上圖必有意，意必吉祥。如若在現(xiàn)代插畫設計中將傳統(tǒng)的生命觀，幸福觀等內(nèi)容表現(xiàn)在插畫作品當中，那么中國傳統(tǒng)民間藝術(shù)中的這一象征意義便能得以再現(xiàn)和延續(xù)。 薰畫藝術(shù)中的象征性內(nèi)容、夸張概括的平面造型以及約定俗成的民間色彩搭配都可以成為我們創(chuàng)作的靈感源泉，并加以借鑒應用。
[Abstract]:Chinese culture has a long history, our ancestors have left us a wealth of material cultural heritage, but also left a large scale of intangible cultural heritage. During the long history, the laboring masses have created folk fine arts in various forms and widely used according to their own needs. Folk art has a very high cultural value, and it includes totem worship of the lower and middle classes of Chinese traditional society. Religious belief, local customs and living habits, as a branch of the lower culture, together with the court art, literati art and other upper culture, together with the building of Chinese culture. At present, with the transformation of Chinese society, the conditions and ways of people's production and living have changed as never before. With these changes, folk art has gradually lost its space and soil for survival and development. As a result, folk art form slowly withdrew from our life, disappeared in the sight of people. This is a historical necessity. However, with the development of the country, along with the construction of material civilization, it should be the common prosperity of spiritual civilization. If Chinese culture wants to develop, it must take its own traditional culture as its foundation, inherit and develop its outstanding tradition, and as an important part of Chinese traditional culture, it must pay close attention to folk art. Under the background of Northern Shaanxi culture, this paper first excavates the cultural soil of Fuxian aromatherapy art, and then inherits from the history, painting steps, taking the folk aromatherapy art of Fuxian County as the breakthrough point. Aesthetic characteristics and other aspects of the folk aromatherapy art have done a comprehensive study, hope that more people can understand and understand aromatherapy painting, so that the aromatherapy art of this ancient folk art form more attention, Thus play a role in the protection of this intangible cultural heritage. Chinese illustrations must draw lessons from tradition, draw Chinese stories and embody our culture in the future development. In the folk aromatherapy art of Fuxian County in Northern Shaanxi Province, it is often used to convey feelings by means of things and to express meaning in homophony, combining different images of different times, different places and different types to form a new visual image, which can be called the intention of pictures and auspicious. If the traditional concept of life, happiness and other contents are reflected in the illustration works in the modern illustration design, then the symbolic meaning of the Chinese traditional folk art can be reproduced and continued. The symbolic content in the art of aromatherapy, the exaggerated and generalized plane shape and the folk color collocation can be the inspiration source of our creation, and can be used for reference.
【學位授予單位】：西安工程大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J205

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