本文選題：傳統(tǒng)文化精神 + 畫外之意　； 參考：《河北師范大學(xué)》2013年碩士論文

【摘要】：油畫作為代表西方主要藝術(shù)形式的一個畫種，引入中國后，從上世紀(jì)初起，在改造社會文化的大背景下得以大力推廣并對當(dāng)時社會發(fā)展產(chǎn)生了極大的影響。在此后的一百年來，經(jīng)過幾代油畫家的努力，，逐漸成為了我國繪畫藝術(shù)的主流媒介，在形式和題材上也呈現(xiàn)了多元發(fā)展的局面。但在“全球化”語境下，中國油畫若想豎有一幟，必須以“中國式”的獨立形式來表現(xiàn)對世界的認知和思索。 中國傳統(tǒng)文化精神是中國古代多元文化的經(jīng)典在今天的延續(xù)，傳統(tǒng)的審美習(xí)慣和思維方式和不可能在一段時間內(nèi)被西方文化沖擊的無影無蹤，對油畫創(chuàng)作仍然會產(chǎn)生很深的影想。因此，對中國傳統(tǒng)文化精神的表達，無疑是油畫“本土化”或“民族化”的一個重要特征。 本文通過對一百年來油畫在中國的移植和成長的梳理和對中國傳統(tǒng)文化精神特征的概括，以當(dāng)前國內(nèi)寫實油畫為研究對象，一方面探討中國傳統(tǒng)文化精神對中國油畫的影響，另一方面則探討寫實油畫與傳統(tǒng)文化精神的關(guān)系，并進一步討論寫實畫家如何將集體審美習(xí)慣融入油畫創(chuàng)作的同時對畫外之意的表達，而這一點，無疑是最具中國審美特色的人文精神。
[Abstract]:Oil painting as a representation of the main forms of art in the West, after the introduction of China, from the beginning of the last century, in the context of the transformation of social culture can be vigorously promoted and had a great impact on the social development at that time. In the following hundred years, through the efforts of several generations of oil painters, it has gradually become the mainstream medium of Chinese painting art, and has also presented a situation of pluralistic development in form and subject matter. However, in the context of globalization, if Chinese oil paintings want to stand out, they must express their cognition and thinking about the world in the independent form of "Chinese style". The spirit of Chinese traditional culture is the continuation of the classic of ancient Chinese multiculturalism today. The traditional aesthetic habit and mode of thinking can not be lost in a certain period of time when the western culture shocks them. Oil painting will still have a very deep impression. Therefore, the expression of the spirit of Chinese traditional culture is undoubtedly an important feature of "localization" or "nationalization" of oil paintings. In this paper, through the transplantation and growth of oil painting in China in the past 100 years and the summary of the spirit characteristics of Chinese traditional culture, taking the domestic realistic oil painting as the research object, on the one hand, it discusses the influence of the Chinese traditional culture spirit on the Chinese oil painting. On the other hand, it discusses the relationship between realistic oil painting and the spirit of traditional culture, and further discusses how realistic painters integrate their collective aesthetic habits into oil painting creation and at the same time express the meaning beyond painting, and this point, Is undoubtedly the most Chinese aesthetic characteristics of the humanistic spirit.
【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J213

【參考文獻】

相關(guān)期刊論文 前2條

1 王國炎,湯忠鋼;論中國傳統(tǒng)文化的基本精神[J];江西師范大學(xué)學(xué)報;2003年02期

2 包曉光;;中國傳統(tǒng)文化精神:階段性、轉(zhuǎn)型與特征[J];學(xué)習(xí)與探索;2012年02期

本文編號：1939444