本文選題：中國傳統(tǒng)色彩 + 動(dòng)畫創(chuàng)作��； 參考：《西北大學(xué)》2014年碩士論文

【摘要】：動(dòng)畫作為一種新的視覺媒體藝術(shù)融入了我們的生活,傳統(tǒng)色彩作視覺元素早已在動(dòng)畫中生根發(fā)芽。在人們的精神世界里,色彩以最直接的手段表現(xiàn)客觀世界和傳達(dá)著情感,使人產(chǎn)生豐富的聯(lián)想和感性認(rèn)知,達(dá)到心靈和情感的共鳴。一部好的動(dòng)畫作品離不開色彩的綜合運(yùn)用,從場(chǎng)景到人物色彩遍布全局,傳統(tǒng)色彩對(duì)表達(dá)動(dòng)畫情感有著巨大的貢獻(xiàn),從整體上提升了動(dòng)畫的審美價(jià)值和欣賞價(jià)值,在得到人們認(rèn)可的同時(shí)還帶來商業(yè)價(jià)值和聲譽(yù),可見準(zhǔn)確的掌握傳統(tǒng)色彩在動(dòng)畫創(chuàng)作中的情感表達(dá)是非常重要的環(huán)節(jié)。 古老而悠久的歷史文化為中國傳統(tǒng)色彩奠定了堅(jiān)實(shí)的基礎(chǔ),傳遞獨(dú)具特色的民族情感。傳統(tǒng)色彩存在于我們生活的每一個(gè)角落,不僅為我們的生活增加樂趣也提高人們的視覺審美,它集合一個(gè)國家的經(jīng)濟(jì),政治,文化傳統(tǒng)和人民的樸實(shí),善良,勤勞的優(yōu)秀品質(zhì)。而我的論文就在是在新媒體廣泛運(yùn)用和動(dòng)畫行業(yè)蓬勃發(fā)展的今天如何能結(jié)合中國的傳統(tǒng)色彩中的文化情感使動(dòng)畫創(chuàng)作者開闊思維,把創(chuàng)作者想要表達(dá)的情感更直接準(zhǔn)確的傳達(dá)出去。探索如何傳承和發(fā)揚(yáng)民族優(yōu)秀文化傳統(tǒng)觀念的同時(shí)又能大膽運(yùn)用色彩創(chuàng)作出符合大眾審美的優(yōu)秀動(dòng)畫作品,創(chuàng)新和承接“中國動(dòng)畫學(xué)派”在世界動(dòng)畫歷史上的地位。 通過整體的研究,分析中國傳統(tǒng)色彩的概念,特征,在動(dòng)畫中的運(yùn)用。對(duì)經(jīng)典動(dòng)畫創(chuàng)作中傳統(tǒng)色彩情感的表達(dá)進(jìn)行分析,我將進(jìn)行逐漸的過度,首先對(duì)中國傳統(tǒng)色彩有一個(gè)全面的敘述后,也對(duì)中國古代一些傳統(tǒng)的色彩理論體系進(jìn)行探討和分類,第三部分逐步的深入探討經(jīng)典動(dòng)畫創(chuàng)作中傳統(tǒng)色彩情感的表達(dá)分析,首先對(duì)人物心理色彩分析,傳統(tǒng)色彩情感搭配分析和它與動(dòng)畫搭配的關(guān)系分析,第四部分是對(duì)中國傳統(tǒng)色彩在動(dòng)畫創(chuàng)作應(yīng)用與影響,在動(dòng)畫創(chuàng)作中人物情緒的表達(dá),主觀色彩情感的表達(dá),觀眾的心里需求,體現(xiàn)作者什么樣的風(fēng)格,傳統(tǒng)色彩情感設(shè)計(jì)體現(xiàn)的是人物的性格情感特征,配合主旨和劇情的需要。第五部分探尋傳統(tǒng)色彩的情感藝術(shù)對(duì)動(dòng)畫的創(chuàng)作啟示,中國傳統(tǒng)色彩在動(dòng)畫創(chuàng)作中的應(yīng)用,民間文化色彩在動(dòng)畫中的作用和啟示。最后我對(duì)中國傳統(tǒng)色彩在動(dòng)畫創(chuàng)作中的情感表達(dá)未來的發(fā)展與展望。
[Abstract]:Animation as a new visual media art into our life, traditional color as visual elements have taken root in animation. In people's spiritual world, color expresses the objective world and conveys emotion by the most direct means, which makes people produce rich association and perceptual cognition, and reach the resonance of soul and emotion. A good animation work can not be separated from the comprehensive use of color, from scene to character color all over the world, traditional color has a great contribution to the expression of animation emotion, from the overall promotion of the aesthetic value of animation and appreciation value, At the same time, it also brings commercial value and reputation, so it is very important to accurately grasp the emotion expression of traditional color in animation creation. The ancient and long history and culture have laid a solid foundation for the Chinese traditional color and transmitted the unique national emotion. The traditional color exists in every corner of our life. It not only adds fun to our life but also improves people's visual aesthetics. It gathers the economic, political, cultural tradition of a country and the simple, good and industrious quality of the people. And my thesis is in the new media is widely used and the animation industry booming today, how to combine the traditional Chinese color in the cultural feelings so that animation creators open their minds, Convey more directly and accurately the feelings that the creator wants to express. This paper explores how to inherit and carry forward the traditional concept of national excellent culture and at the same time make bold use of color to create excellent animation works in line with the popular aesthetic, and to innovate and undertake the position of "Chinese Animation School" in the history of animation in the world. Through the whole research, analyzes the Chinese traditional color concept, the characteristic, the application in the animation. After analyzing the expression of traditional color emotion in the creation of classic animation, I will gradually overdo it. First of all, after having a comprehensive description of Chinese traditional color, I will also discuss and classify some traditional color theory systems in ancient China. The third part discusses the expression of the traditional color emotion in the classic animation creation step by step. Firstly, it analyzes the characters' psychological color, the traditional color emotion collocation and the relationship between it and the animation collocation. The fourth part is the application and influence of Chinese traditional color in animation creation, the expression of characters' emotion, the expression of subjective color emotion, the needs of the audience, and the style of the author. The traditional color emotion design embodies the character emotion characteristic of the character, adapts the gist and the plot need. The fifth part explores the inspiration of the emotion art of the traditional color to the animation creation, the application of the Chinese traditional color in the animation creation, the function and enlightenment of the folk culture color in the animation. Finally, I look forward to the future development of Chinese traditional color in animation creation.
【學(xué)位授予單位】：西北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J218.7

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 何慶艷;;中國傳統(tǒng)色彩及其在新中式風(fēng)格居室中的運(yùn)用[J];東南大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2006年S2期

2 喬洪,張序貴;中華民族色彩觀念中的紅色[J];浙江工程學(xué)院學(xué)報(bào);2003年02期

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本文編號(hào)：1938393