本文選題：冷軍 + 超寫實(shí)油畫　； 參考：《安徽大學(xué)》2014年碩士論文

【摘要】：在工業(yè)革命后,人們更加注重物質(zhì)生活,加之影像科技的飛速發(fā)展,藝術(shù)趨于商業(yè)化和產(chǎn)業(yè)化,美術(shù)界也充噬著寫實(shí)繪畫已死的看法。正當(dāng)大家在玩世主義、功利主義或是在作品外在形式創(chuàng)新的荊棘叢中尋找藝術(shù)的出路時(shí),有人卻循著古人“傳承和發(fā)展”的步伐,在寫實(shí)繪畫這片沃土中開辟了新的天地,這就是冷軍的超寫實(shí)油畫。 冷軍是中國當(dāng)代備受矚目的油畫家,他雖涉獵油畫、國畫、版畫等諸多藝術(shù)畫種,但令其聲名大噪的還是他的超寫實(shí)油畫。雖然,二十世紀(jì)60年代,西方就已經(jīng)出現(xiàn)了超級(jí)寫實(shí)主義和照片寫實(shí)主義的繪畫流派,作品表面也如照片般寫實(shí),但和冷軍的超寫實(shí)油畫在本質(zhì)上還是有很大的差別。然而人們對(duì)他的超寫實(shí)油畫卻持有不同的看法,很多人對(duì)冷軍的繪畫技法比較感興趣,甚至質(zhì)疑他的繪畫手段,而忽視了冷軍作品的內(nèi)涵。從冷軍纖毫畢現(xiàn)、栩栩如生的畫作中,可以看出作者具有扎實(shí)的繪畫功底。令人震撼的畫面效果不僅令普通觀眾驚嘆不已,也讓油畫界人士咋舌,甚至一度引起對(duì)其繪畫技法研討的狂潮。冷軍的成功史也令人們津津樂道,他并非出自名牌的美術(shù)院校,而是憑借自己的天賦和努力獲得如此高的成就,他的人生經(jīng)歷本身就是一幅最完美的“超寫實(shí)油畫作品”。冷軍的超寫實(shí)油畫作品,不論是早期的單純寧靜的靜物作品,還是之后帶有批判性質(zhì)的物體創(chuàng)作,以及后來的回歸傳統(tǒng)的肖像系列,都隱喻著冷軍的觀點(diǎn)和看法,觀者也能從畫作中得到內(nèi)心的平靜或?qū)θ松鐣?huì)的省思。 本文共分為三章,首先結(jié)合作品圖片,從視覺效果、構(gòu)圖、創(chuàng)作手法和畫面氣氛等方面研究了冷軍超寫實(shí)油畫的藝術(shù)特質(zhì)。第二章從作者所處的時(shí)代背景及人生經(jīng)歷和傳統(tǒng)文化分析了其風(fēng)格形成的客觀原因,又從作者不同繪畫階段的藝術(shù)理念角度出發(fā)找尋出其風(fēng)格形成的主觀原因。最后一章首先分析了冷軍超寫實(shí)油畫的地位,然后比較了冷軍超寫實(shí)油畫與其他畫家的超寫實(shí)油畫作品的異同,最后又深入探究了冷軍超寫實(shí)油畫的現(xiàn)實(shí)意義。
[Abstract]:After the Industrial Revolution, people pay more attention to material life, in addition to the rapid development of image science and technology, art tends to commercialization and industrialization, the art circle is also full of realistic painting dead view. While everyone is playing with worldly, utilitarianism or looking for a way out of art in the thorns of external form innovation, some people follow the steps of the ancients in "inheritance and development," opening up a new world in the fertile soil of realistic painting. This is the superrealistic oil painting of the cold army. Leng Jun is one of the most famous oil painters in China. Although he dabbles in oil painting, traditional Chinese painting, printmaking and many other kinds of art, what makes him famous is his superrealistic oil painting. Although, in the 1960s, the Western painting schools of super realism and photo realism have emerged, the surface of the works is also as realistic as photographs, but there is still a great difference from the superrealistic oil painting of the cold army in essence. However, people hold different views on his superrealistic oil painting. Many people are more interested in the painting techniques of the cold army, and even question his painting methods, but ignore the connotation of the cold army paintings. From the cold-army, lifelike paintings, we can see that the author has solid painting skills. The shocking picture effect not only amazed the ordinary audience, but also shocked the oil painting circles, and even caused a frenzy of the study of his painting techniques at one time. The successful history of the cold army also makes people relish to say that he did not come from the famous art academy, but with his own talent and effort to get such a high achievement, his life experience itself is the most perfect "superrealistic oil painting". Lengjun's superrealistic oil paintings, whether they are the simple and quiet still life works of the early period, or the object creation with the character of criticism after that, as well as the later series of portraits returning to the tradition, are all metaphors of the viewpoint and view of the cold army. The viewer can also find peace of mind or reflection on life and society from the painting. This paper is divided into three chapters. Firstly, combining with the pictures, this paper studies the artistic characteristics of Lengjun superrealistic oil painting from the aspects of visual effect, composition, creative technique and picture atmosphere. The second chapter analyzes the objective reasons for the formation of the author's style from the background of the author's time, life experience and traditional culture, and finds out the subjective reasons for the formation of his style from the point of view of the author's artistic ideas in different painting stages. The last chapter firstly analyzes the status of cold army superrealistic oil painting, then compares the similarities and differences between cold army superrealistic oil painting and other painters' superrealistic oil paintings, and finally probes into the realistic significance of cold army superrealistic oil paintings.
【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J213

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本文編號(hào)：1927909