本文選題：繪畫 + 宗教資助��； 參考：《沈陽大學》2017年碩士論文

【摘要】：在漫長的繪畫發(fā)展史當中,宗教不僅為繪畫藝術提供了很多經(jīng)濟上的資助,同時也提供了相應的繪畫創(chuàng)作題材,而且還在繪畫內在的精神層面給予了很好的支撐。這也是宗教推動繪畫藝術發(fā)展,繪畫傳播宗教思想,相互之間最直接的連帶關系之一。在西方藝術史中,宗教繪畫占據(jù)著不可忽視的地位,一直發(fā)展到中世紀,藝術家和所有的藝術作品都是為宗教而服務的。文藝復興時期的藝術能夠得到高度的繁榮和發(fā)展是離不開社會群體對藝術家慷慨贊助的。在中世紀時期,藝術的經(jīng)濟資助完全來源于教會,而到了文藝復興時期,藝術的經(jīng)濟贊助變成了當時整個社會的一種文化行為。文藝復興時期的畫家創(chuàng)作題材仍然是以圣經(jīng)內容作為參照標準,但繪畫的人物形象卻從美化神的形象轉變到了美化人本身的形象。其中人文主義思想主導著這個時期的藝術走向。在印象主義時期,科學的進步與新的發(fā)現(xiàn)對藝術語言的改變提供了很大的理論支持,同時也為印象派畫家們提供了整套科學理論和物質材料。攝影的誕生和發(fā)展必定是要將畫家們沿著藝術探索和實驗之路推向新的方向,而以色彩為主要表現(xiàn)手段的印象派繪畫正是當時攝影所不可比擬的,印象派的畫家們正是抓住了這一方面,進行了不懈的探索和實驗將繪畫的語言進一步拓寬。美國抽象表現(xiàn)主義誕生于第二次世界大戰(zhàn)的前后時期,發(fā)展到美蘇冷戰(zhàn)期間時趨于成熟。在美蘇冷戰(zhàn)的較量中,美國和前蘇聯(lián)都意識到了文化的傳播對擴大自己的價值體系十分重要。在這樣的歷史背景需求下,美國抽象表現(xiàn)主義繪畫順理成章的融到了“文化冷戰(zhàn)”的對抗之中。美國抽象表現(xiàn)主義繪畫就是在這樣的國際大背景下,從邊緣藝術走向了主流藝術的道路,并此為自己打上了時代的烙印。
[Abstract]:In the long history of the history of painting, religion not only provides a lot of financial support for painting art, but also provides the corresponding subjects of painting creation, but also gives a good support in the spiritual level of painting. This is also one of the most direct links between religion and the spread of religious ideas. In the history of western art, religious painting occupies an important position, until the Middle Ages, artists and all works of art are for the service of religion. The high prosperity and development of Renaissance art can not be separated from the generous sponsorship of artists by social groups. In the Middle Ages, the financial aid for art came entirely from the church, and in the Renaissance, the economic sponsorship of art became a cultural act of the whole society at that time. In the Renaissance period, the subject matter of the painters was still based on the biblical content, but the figure of painting changed from beautifying the image of God to beautifying the image of man itself. Among them humanism thought dominates the artistic trend of this period. In the period of Impressionism, the progress of science and new discoveries provided great theoretical support for the change of artistic language, and at the same time provided a whole set of scientific theories and material materials for the impressionist painters. The birth and development of photography is bound to push the painters to a new direction along the road of artistic exploration and experiment, and the Impressionist painting, which takes color as the main means of expression, was incomparable to photography at that time. Impressionist painters have grasped this aspect and made unremitting explorations and experiments to widen the language of painting. American abstract expressionism was born around the second World War and matured during the Cold War. In the Cold War, both the United States and the former Soviet Union realized that the spread of culture was very important to expand their own value system. In such a historical background, American abstract expressionist painting naturally melts into the confrontation of the Cold War of Culture. American abstract expressionism painting is in this international background, from the edge of art to mainstream art, and this has marked itself with the brand of the times.
【學位授予單位】：沈陽大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J205

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