本文選題：三里莊 + “三部曲”　； 參考：《美術(shù)》2017年07期

【摘要】：正油畫《發(fā)亮的眼睛》《夜·黑沉沉的夜》《仲秋》這三件作品都是我生活積累和藝術(shù)探索的成果。(一)先從生活積淀的角度說起吧,我1939年9月出生在濟南三里莊一個普通鐵路工人家庭,大約6歲時,日本投降。童年的記憶中,父親曾在小火車站工作,每天上下班總提著一盞"李玉和式"的信號燈,我和哥哥也常到鐵路車站邊玩耍,在那戰(zhàn)亂的歲月里,經(jīng)�？吹饺毡颈┲S大衣,拿著槍,押著中國人上下火車,后來不知為什么,父親被日本鬼子兵抓了起來,關(guān)押在離家
[Abstract]:The three works are the three works of my life accumulation and art exploration. First, I was born in September 1939 in the family of an ordinary railway worker in Three Li Zhuang in Ji'nan. When I was about 6 years old, I was capitulation. In the memory of childhood, my father was at a small railway station. At work, every day, I always put up a "Li Yu and a" signal. My brother and I were always playing at the railway station. During the war years, I often saw Japanese soldiers wearing yellow coats, guns, and Chinese people on the train. Later, I didn't know why, my father was arrested by the Japanese ghosts and left home.
【作者單位】： 山東藝術(shù)學(xué)院;
【分類號】：J213
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本文編號：1926111