本文選題：張宏 + 山水畫�。� 參考：《山東大學》2014年碩士論文

【摘要】：本文主要從三個章節(jié)來探討明末畫家張宏的山水畫藝術,首先是張宏的生平及從張宏的畫作《棲霞山圖》、《句曲松風圖》、《止園全景》分析其山水畫藝術風格,其次通過與同時期其他畫家作品比較,突顯張宏山水畫的風格特征,最后是張宏山水畫風格形成的原因及其對我創(chuàng)作實踐中的影響。 張宏對自然的真實山水進行觀察,在眼中得到山水景觀真實、自然的狀態(tài),運用細致嚴謹的寫實手法,真實的描繪眼中看到的自然景色。晚明時期,在董其昌提倡的復古主義思想的影響下,大多數的畫家以卷軸為師,案頭摹古,因此在他們眼中只看到的是,古人描繪的山水,他們是用古人的觀察方式去觀察山水,形成了嚴重的形式主義。而張宏用自己的眼睛,客觀真實地觀察現實自然中的真山真水,真實的描繪他眼中看到的自然山水景色,使得他的山水畫在視覺上給人自然真實的感受。在本文第二章中,把張宏的山水畫作品與同時期其他畫家作品相比較,更能凸顯這一感受。張宏用自然的視覺觀察方式來描繪寧靜自然的,真實存在的山水景觀,其做法在晚明時期山水畫的創(chuàng)作中具有創(chuàng)新意義。
[Abstract]:This paper mainly discusses the landscape painting art of painter Zhang Hong in the late Ming Dynasty. First of all, the life of Zhang Hong and the artistic style of his landscape painting are analyzed from the paintings of Zhang Hong, Qixia Mountain Picture, the Wind Picture of Ququ Song, the Panorama of Zhiyuan, and the artistic style of landscape painting. Secondly, by comparing with other painters of the same period, it highlights the style characteristics of Zhang Hong landscape painting, and finally, the reasons for the formation of Zhang Hong landscape painting style and its influence on my creative practice. Zhang Hong observed the real landscape of nature, got the true landscape and natural state in the eyes, and used the meticulous and rigorous realistic technique to truly describe the natural scenery in the eyes. In the late Ming Dynasty, under the influence of the retro ideology advocated by Dong Qichang, most of the painters took the scroll as a teacher and copied the ancient on the desk, so what they saw in their eyes was the landscape depicted by the ancients. They used the ancient observation way to observe the landscape, formed the serious formalism. Zhang Hong, with his own eyes, objectively and realistically observes the real mountain and the real water in the real nature, and depicts the natural landscape in his eyes, which makes his landscape paintings give people natural and real feelings visually. In the second chapter, comparing Zhang Hong's landscape painting works with other painters' works of the same period, it highlights this feeling. Zhang Hong uses the natural visual observation to describe the tranquil natural and real landscape, which has innovative significance in the creation of landscape painting in the late Ming Dynasty.
【學位授予單位】：山東大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J212

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本文編號：1924787