宋代院體花鳥畫與當代工筆花鳥畫“寫實性”比較研究
發(fā)布時間:2018-05-21 20:08
本文選題:寫實性 + 比較; 參考:《西南大學》2013年碩士論文
【摘要】:本論文以“寫實性”的精神實質以及文化內涵為切入點,從宋代院體花鳥畫作品與當代工筆花鳥畫作品的“寫實性”表現異同進行分析比較,詳盡深入地對當代具有“寫實性”特點的工筆花鳥畫的發(fā)展與存在問題進行討論。對宋代院體花鳥畫與當代工筆寫實性花鳥畫的比較研究中,對我們認識、反思和發(fā)展中國當代工筆花鳥畫繪畫語言的深度具有一定意義。 首先,本文從宋代院體花鳥畫和當代工筆花鳥畫所要比較的關鍵詞“寫實性”著手,界定“寫實性”在本文中的具體所指;其次,從二者在“寫實性”特點上的相同之處進行陳述,分為“求真”之同和表現手法之同兩個部分;然后,比較分析二者“寫實性”的差異性,從取材方式、空間表達、圖式語匯、題跋拓印四個方面進行比較研究,找出不同;最后,通過比較研究得出結論,提出當代工筆花鳥畫“寫實性”精神的消減與缺失的思考以及對當代工筆花鳥畫創(chuàng)新與發(fā)展的啟示。 筆者運用圖像分析法,通過參觀博物館、圖書館、各類中國畫作品展,篩選出部分具有代表性與本研究有關的圖像做評委本文的研究對象;并查閱有關宋代畫論、花鳥畫著作以及其他相關理論文獻,為研究宋代院體花鳥畫的背景找到理論依據;此外,運用比較研究法,對兩個時期的花鳥畫作品進行深入的比較、歸納,分析作品富有的“寫實性”特點的真正價值。 通過比較研究,得出結論:盡管宋代院體花鳥畫與當代工筆花鳥畫都在工筆表現之內,都具有“求形似”、“求真”的共性,但通過“工筆”表現出的“寫實性”的特點而得出的觀點是有差異的。當代工筆花鳥畫它必定隨著時代的發(fā)展而變化,其涉及的不僅僅是單純地繪畫形式語言的規(guī)律,而是一種當代精神的彰顯,同時要不斷反思當代工筆花鳥畫中“寫實”精神的缺失,對傳統(tǒng)宋代院體花鳥畫“寫實性”繪畫語言進行吸納和重構。
[Abstract]:Based on the spiritual essence and cultural connotation of "realism", this paper analyzes and compares the similarities and differences between the "realism" and the "realism" of the Flower and Bird painting works of the Yuan and the contemporary fine brushwork in the Song Dynasty. The development and existing problems of contemporary flower-and-bird paintings with realistic features are discussed in detail and in depth. In the comparative study of the style flower and bird painting in the Song Dynasty and the realistic flower and bird painting in the contemporary meticulous brushwork, it is of certain significance for us to understand, reflect on and develop the depth of the painting language of the contemporary fine brush flower and bird painting in China. First of all, this paper begins with the key word "realism" of the comparison between the style flower and bird painting of the Song Dynasty and the contemporary fine brushwork flower and bird painting, and defines the concrete meaning of "realism" in this paper; secondly, It is divided into two parts: the similarities of "seeking truth" and the same expression methods, and then, the difference of "realism" between the two is compared and analyzed, and the ways of drawing materials, space expression and schematic vocabulary are compared and analyzed. Compare the four aspects of the title and postscript printing, find out the difference; finally, through the comparative study to reach a conclusion, This paper puts forward some thoughts on the abatement and absence of the "realism" spirit of contemporary meticulous flower-and-bird painting and its inspiration to the innovation and development of contemporary meticulous flower-and-bird painting. The author uses image analysis method, through visiting museum, library, various kinds of Chinese painting works exhibition, sifting out some representative images related to this research as the research object of this paper, and referring to the Song Dynasty painting theory, The works of flower-and-bird painting and other relevant theoretical documents find the theoretical basis for the study of the background of the flower-and-bird painting in the Song Dynasty. In addition, by using the method of comparative research, the author makes a deep comparison and induces the works of the flower-and-bird paintings of the two periods. The real value of the realistic features of the works is analyzed. Through the comparative study, it is concluded that although both the flower-and-bird painting and the contemporary meticulous flower-and-bird painting in the Song Dynasty are in the fine brushwork, they all have the commonness of "seeking for shape resemblance" and "seeking truth". However, the views obtained from the realistic features of meticulous brushwork are different. The contemporary fine brushwork flower-and-bird painting is bound to change with the development of the times. It involves not only the laws of painting the formal language, but also a manifestation of the contemporary spirit. At the same time, we should constantly reflect on the lack of "realistic" spirit in the contemporary meticulous flower-and-bird painting, and absorb and reconstruct the traditional painting language of "realism" in the style of flower and bird painting in the Song Dynasty.
【學位授予單位】:西南大學
【學位級別】:碩士
【學位授予年份】:2013
【分類號】:J212
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