本文選題：線條 + 風(fēng)景油畫�。� 參考：《重慶師范大學(xué)》2014年碩士論文

【摘要】：克羅齊說“：使藝術(shù)具有輕盈靈活的符號(hào)的,并不是思想,而是情感被包進(jìn)表象之內(nèi)的靈感——這就是藝術(shù)。”[1]而“線”的運(yùn)用，是藝術(shù)家表達(dá)藝術(shù)形象時(shí)最直接的方法。 “線”藝術(shù)的表達(dá)既古典又非�，F(xiàn)代，它不僅能最直接地劃定范圍構(gòu)成藝術(shù)形象，還能夠比較準(zhǔn)確地表達(dá)出物象的意味，因此，“線”也可以說是一種體現(xiàn)藝術(shù)家情感的符號(hào)�！熬�”作為繪畫語(yǔ)言的重要載體，也是繪畫作品中最基本的視覺元素，古往今來它都有著極其重要的作用，從抽象繪畫先驅(qū)瓦西里·康定斯基《點(diǎn)、線到面》一書中便可以看出。 不論是中國(guó)傳統(tǒng)山水繪畫還是中國(guó)當(dāng)代風(fēng)景油畫藝術(shù)，“線”這一角色在其中的作用一直以來都備受推崇。畫家、視覺心理學(xué)家以及藝術(shù)理論家對(duì)于“線”的研究和探索都從未停止。中西方傳統(tǒng)繪畫中的“線”各有特色，前者主要表達(dá)畫家本人的主觀情感，而后者則偏重于客觀事物的觀察與描繪。由此可見，“線”不僅僅是畫面表現(xiàn)的操作技巧和技術(shù)手段，還是藝術(shù)家表達(dá)內(nèi)心世界的一種方式。因此，對(duì)于“線”的研究是很有必要的。 中國(guó)當(dāng)代藝術(shù)尤其是風(fēng)景油畫作品中，以“線”為主要造型手段的畫家不在少數(shù)。文章將從“線”的概念、文化背景以及“線”與繪畫的關(guān)系展開來寫，重新審視“線”藝術(shù)在中國(guó)當(dāng)代風(fēng)景油畫領(lǐng)域獨(dú)特的審美價(jià)值。 第三、四章是文章的核心部分，第三章主要論述中國(guó)當(dāng)代風(fēng)景油畫語(yǔ)境里的“線”，通過剖析以“線”造型的中國(guó)當(dāng)代風(fēng)景油畫家的繪畫語(yǔ)言及藝術(shù)風(fēng)格，闡述“線”在中國(guó)當(dāng)代油畫發(fā)展中的狀態(tài)。并著力分析中國(guó)當(dāng)代風(fēng)景油畫以“線”造型的原因，總結(jié)出“線”在中國(guó)當(dāng)代風(fēng)景油畫中的價(jià)值與情感。第四章主要是對(duì)中國(guó)當(dāng)代風(fēng)景油畫用“線”的思考，以及對(duì)中國(guó)當(dāng)代風(fēng)景油畫的展望。 “線”在中國(guó)當(dāng)代風(fēng)景油畫中的應(yīng)用如此普遍，其原因不僅是受中國(guó)傳統(tǒng)山水畫理念，以及外來文化的影響，也是當(dāng)代風(fēng)景油畫家對(duì)中國(guó)傳統(tǒng)山水畫精神的繼承與高度發(fā)揚(yáng)。因此，對(duì)于“線”的研究意義尤為重大。另外，文章選取中國(guó)當(dāng)代風(fēng)景油畫這一視角來分析研究“線”語(yǔ)言，也是對(duì)中國(guó)當(dāng)代風(fēng)景油畫中“線”運(yùn)用規(guī)律的摸索，為今后的藝術(shù)創(chuàng)作打下堅(jiān)實(shí)的基礎(chǔ)。
[Abstract]:Croce said: "it is not thought that gives art light and flexible symbols, but the inspiration that emotion is embedded in the representation-that is art." [1] and the use of "line" is the most direct way for artists to express their artistic image. The expression of "line" art is not only classical but also very modern. It can not only directly delimit the scope of art image, but also express the meaning of object image more accurately. Therefore, "line" can also be said to be a symbol of the artist's emotion. As an important carrier of painting language, "Line" is also the most basic visual element in painting works. It has played an extremely important role from ancient to modern times, from the abstract painting pioneer Vasily Kandinsky < point, Line to face can be seen in a book. Whether Chinese traditional landscape painting or Chinese contemporary landscape painting art, the role of "line" has always been highly respected. Painters, visual psychologists and art theorists have never stopped studying and exploring the line. The "lines" in Chinese and western traditional paintings have their own characteristics. The former mainly expresses the subjective feelings of the painter himself, while the latter emphasizes on the observation and description of objective things. Thus, the line is not only the technique and technique of picture expression, but also a way for artists to express their inner world. Therefore, the study of "line" is very necessary. In Chinese contemporary art, especially in landscape oil paintings, there are not a few painters who take line as the main means of modeling. This article will start from the concept of "line", the cultural background and the relationship between "line" and painting, and re-examine the unique aesthetic value of "line" art in the field of Chinese contemporary landscape oil painting. The third chapter is the core part of the article, the third chapter mainly discusses the "line" in the context of Chinese contemporary landscape oil painting, and analyzes the painting language and artistic style of Chinese contemporary landscape oil painters with "line" modeling. This paper expounds the state of line in the development of contemporary Chinese oil painting. The reason of "line" modeling in Chinese contemporary landscape oil painting is analyzed, and the value and emotion of "line" in Chinese contemporary landscape oil painting are summarized. The fourth chapter is mainly to the Chinese contemporary landscape oil painting "line" thinking, as well as to the Chinese contemporary scenery oil painting prospect. The application of "Line" in Chinese contemporary landscape painting is so common, not only because of the influence of Chinese traditional landscape painting concept and foreign culture, but also because of the inheritance and development of the spirit of Chinese traditional landscape painting by contemporary landscape oil painters. Therefore, the study of "line" is of great significance. In addition, the article chooses the Chinese contemporary landscape oil painting angle of view to analyze and study the "line" language, also is the exploration to the Chinese contemporary scenery oil painting "line" the application rule, lays the solid foundation for the future artistic creation.
【學(xué)位授予單位】：重慶師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J213

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相關(guān)期刊論文 前3條

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3 張正軍;;線條的情感因素在油畫中的體現(xiàn)[J];藝術(shù)科技;2012年04期

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本文編號(hào)：1919866