發(fā)布時間：2018-05-21 12:18

  本文選題：永樂宮 + 北極四圣　； 參考：《四川師范大學(xué)》2017年碩士論文

【摘要】：永樂宮壁畫中的“北極四圣”圖像是整個壁畫圖像系統(tǒng)里造型突出、識別度極高的一組道教神祗圖像,對后世的藝術(shù)創(chuàng)作具有深刻的影響,同時提供了大量創(chuàng)作素材�！氨睒O四圣”在中國道教中是受民間普遍信奉的、地位極高的護(hù)法神將,有驅(qū)除兇惡和賜福吉祥的傳統(tǒng)習(xí)俗和功用,也能夠順應(yīng)現(xiàn)代民眾的心理需求。在全真宮觀中,永樂宮的地位首屈一指,也是唯一一個沒有被損壞的土木建筑結(jié)構(gòu)的全真道宮。其主殿三清殿內(nèi)繪制的壁畫《朝元圖》是中國美術(shù)史上的創(chuàng)舉,也是絕無僅有的元代道教美術(shù)遺珍。筆者對其中的“北極四圣”神祗圖像組畫進(jìn)行了系統(tǒng)研究與創(chuàng)新設(shè)計研發(fā),希望能夠借此推動永樂宮文化創(chuàng)意設(shè)計產(chǎn)業(yè)的發(fā)展。使道教傳統(tǒng)藝術(shù)與時代精神相結(jié)合,煥發(fā)出新的文化活力,傳承我國優(yōu)秀的文化基因。本文首先通過文獻(xiàn)學(xué)研究方法,對永樂宮壁畫的“北極四圣”神真體系進(jìn)行了全面的梳理,分析了其圖像發(fā)展歷程、信仰和普世性推廣價值。結(jié)合史論資料對“北極四圣”四位元帥的人物形象及特征進(jìn)行了相關(guān)論述。然后通過圖像學(xué)研究的方法,對其構(gòu)圖、造型、色彩、手執(zhí)法器元素進(jìn)行了分析闡述,解讀圖像的當(dāng)代視覺價值。其次,在自己的專業(yè)設(shè)計理論基礎(chǔ)上,搜集相關(guān)的道教圖像設(shè)計案例進(jìn)行分析,借鑒其中的研究手段和設(shè)計方法。最后,運(yùn)用現(xiàn)代設(shè)計的思維方式和技法,對“北極四圣”圖像進(jìn)行創(chuàng)新性設(shè)計研究,創(chuàng)作出符合現(xiàn)代審美需求的文創(chuàng)作品。此次畢業(yè)設(shè)計的視覺成果可以直接應(yīng)用到山西芮城永樂宮景區(qū)的文創(chuàng)產(chǎn)品研發(fā)中,改善景區(qū)文創(chuàng)產(chǎn)品同質(zhì)化的現(xiàn)狀,創(chuàng)造出有深厚道教文化內(nèi)涵和新穎視覺體驗的文創(chuàng)產(chǎn)品,為弘揚(yáng)傳統(tǒng)文化和提升民眾文化審美能力做出一點(diǎn)實踐性的努力。
[Abstract]:The image of "the four Sages of the Arctic" in the fresco of Yongle Palace is a group of Taoist gods with outstanding shape and high recognition in the whole mural image system, which has a profound influence on the artistic creation of later generations and provides a large number of creative materials at the same time. In Chinese Taoism, the "four Saints of the Arctic" is widely believed by the people. The very high status of the dharma will have the traditional customs and functions of exorcising evil and blessing auspicious, and can also adapt to the psychological needs of the modern people. In Quanzhen Palace, Yongle Palace is the only one that has not been damaged by civil structure. The frescoes painted in the main Hall of the three Qing Dynasty are the creation of Chinese art history and the unique relics of Taoism in the Yuan Dynasty. In order to promote the development of the creative design industry of Yongle Palace, the author has carried out systematic research and innovation design on the images of the "four Archaean" gods. The combination of Taoist traditional art and the spirit of the times radiates new cultural vitality and inherits the excellent cultural genes of our country. In this paper, first of all, through the method of philology, the author makes a comprehensive analysis of the true system of the "four Saints of the Arctic" in the frescoes of the Yongle Palace, and analyzes its image development process, faith and the value of popularizing the world. This paper discusses the characters and characteristics of the four Marshals of the Arctic. Then, through the method of image study, the paper analyzes the composition, modeling, color and the elements of the hand holding device, and interprets the contemporary visual value of the image. Secondly, on the basis of professional design theory, collect relevant Taoist image design cases to analyze, learn from the research means and design methods. Finally, by using the thinking mode and technique of modern design, this paper studies the creative design of the "four Sages of the Arctic" image, and creates literary creation works that meet the needs of modern aesthetics. The visual results of this graduation design can be directly applied to the research and development of cultural creation products in the Yongle Palace scenic area of Ruicheng, Shanxi, to improve the status quo of the homogenization of the cultural products in the scenic spots, and to create the Wenchuang products with profound Taoist cultural connotations and novel visual experiences. In order to carry forward the traditional culture and enhance the people's cultural aesthetic ability to make some practical efforts.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J218.6;J505

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本文編號：1919153