本文選題：油畫 + 色彩��； 參考：《西北民族大學(xué)》2013年碩士論文

【摘要】：藝術(shù)家的作用在于用他們豐富燦爛的色彩記錄最美的自然景物,色彩則是油畫語(yǔ)言精神的載體,油畫色彩語(yǔ)言的發(fā)展自文藝復(fù)興時(shí)期開始經(jīng)歷了一個(gè)曲折而漫長(zhǎng)的過程,在發(fā)展過程中,由于對(duì)色彩認(rèn)識(shí)度的不同他們對(duì)色彩美的體現(xiàn)程度也有所不同,色彩結(jié)構(gòu)從單一的“色彩和諧”到“色彩豐富”和“色彩和諧”為一體,油畫色彩語(yǔ)言的發(fā)展中也表現(xiàn)出各種流派對(duì)色彩美的不同看法,但整體來(lái)看都大同小異,認(rèn)為,“美就是變化中表現(xiàn)統(tǒng)一”。那么,好的油畫作品具有它獨(dú)特的色彩美感因素所組成。 繪畫色彩結(jié)構(gòu)是由條件色、色彩的比率、光源色、色彩的位置色彩的面積大小、環(huán)境色、與冷暖關(guān)系等諸多因素組成。形成一個(gè)豐富和諧的效果,油畫語(yǔ)言色彩美感的創(chuàng)造必須結(jié)合形成色彩美感的基本要素,色彩的形式美感、色彩“對(duì)比與和諧”法則、色彩節(jié)奏感、色彩調(diào)合等。而這些要素都有著各自的美感的規(guī)律。然而很多作畫者對(duì)色彩理論的一些錯(cuò)誤理解,在他們作品中出現(xiàn)一些“有色無(wú)彩”的現(xiàn)象。 本文通過對(duì)西方繪畫色彩理論的概述和色彩的分析、結(jié)合形成色彩美感的因素、色彩的形式美感、色彩“對(duì)比與和諧”法則、色彩的節(jié)奏感、色彩調(diào)和等對(duì)油畫色彩語(yǔ)言的色彩美感的規(guī)則進(jìn)行深入分析。
[Abstract]:The role of artists is to use their rich and brilliant colors to record the most beautiful natural scenery. Color is the carrier of the spirit of oil painting language. The development of oil painting color language has experienced a tortuous and long process since the Renaissance. In the process of development, due to the difference in their understanding of color, their representation of color beauty is also different. The color structure has changed from a single "color harmony" to "color rich" and "color harmony" as a whole. In the development of color language of oil painting, different schools have different views on color beauty, but on the whole, they all have the same views, and think that "beauty is unity of performance in change". Well, a good oil painting has its unique color aesthetic elements. The color structure of painting is composed of several factors, such as conditional color, color ratio, light source color, color area size of color position, environment color, and the relationship between color and cold and warm and so on. To form a rich and harmonious effect, the creation of the aesthetic sense of color in oil painting language must be combined with the basic elements of forming the aesthetic sense of color, the aesthetic sense of form of color, the rule of "contrast and harmony" of color, the sense of color rhythm, the color blending and so on. These elements all have their own laws of aesthetic feeling. However, many painters misunderstand the theory of color, and there are some phenomena of "color without color" in their works. In this paper, the author summarizes the color theory of western painting and analyzes the color, combining the factors that form the aesthetic feeling of color, the aesthetic feeling of form of color, the rule of "contrast and harmony" of color, the rhythm of color. The color harmony and so on carries on the thorough analysis to the oil painting color language color esthetic feeling rule.
【學(xué)位授予單位】：西北民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J213

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 向新元;對(duì)繪畫色彩語(yǔ)言的探索[J];四川師范學(xué)院學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);1997年02期

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本文編號(hào)：1917481