發(fā)布時(shí)間：2018-05-21 01:29

  本文選題：方君璧 + 油畫藝術(shù)�。� 參考：《浙江理工大學(xué)》2014年碩士論文

【摘要】：方君璧(1898-1986)是20世紀(jì)中國(guó)一位重要卻又身份特殊的女畫家，是第一位留學(xué)法國(guó)學(xué)習(xí)西畫的中國(guó)女性。伴隨著中國(guó)近代“美術(shù)革命”思潮的發(fā)生，方君璧開始探索“中西融合”的繪畫風(fēng)格，其油畫風(fēng)格中西兼容，既有西方油畫語(yǔ)言的純正和厚重，又能表達(dá)出濃厚的東方文化意蘊(yùn)，在畫壇頗具影響力。因政治原因，1949年后久居海外，，方君璧的藝術(shù)成就被湮沒于歷史中，不為國(guó)內(nèi)藝術(shù)界熟知。方君璧的藝術(shù)生涯近70年，旺盛的創(chuàng)作精力、良好的藝術(shù)修養(yǎng)、勇敢的藝術(shù)創(chuàng)新精神、忠于主觀藝術(shù)感受的創(chuàng)作態(tài)度，以及在逆境中也不間斷對(duì)藝術(shù)的不懈追求，不僅保證了其油畫作品的厚度，更具備深刻的文化意義。 這篇文章主要從四個(gè)章節(jié)對(duì)方君璧的油畫藝術(shù)展開研究。第一章以20世紀(jì)初期中國(guó)的留學(xué)風(fēng)潮情況和方君璧家族的留學(xué)經(jīng)歷為背景，結(jié)合方君璧生活所處的特殊政治氛圍，系統(tǒng)梳理了其油畫藝術(shù)成長(zhǎng)的地域及文化背景。第二章深入研究方君璧的油畫藝術(shù)實(shí)踐經(jīng)歷，分析其藝術(shù)創(chuàng)作風(fēng)格轉(zhuǎn)變的基本規(guī)律。方君璧一生的生活經(jīng)歷復(fù)雜曲折，包括她的藝術(shù)道路。雖然方君璧“中西融合”的藝術(shù)理念經(jīng)歷著不斷的變化和修整，卻從未間斷。根據(jù)其藝術(shù)創(chuàng)作的時(shí)間、地域，以及風(fēng)格轉(zhuǎn)換可分為三個(gè)階段——“中西融合”的藝術(shù)創(chuàng)作啟蒙期、探索期和發(fā)展期。第一階段啟蒙期，主要包括方君璧西方學(xué)院派寫實(shí)主義技法的基礎(chǔ)訓(xùn)練以及其“西中融東”的創(chuàng)作實(shí)踐；第二階段方君璧在與國(guó)內(nèi)畫派、藝術(shù)社團(tuán)的交流中，逐步完成由生硬移植到成熟駕馭中西油畫藝術(shù)語(yǔ)言的探索過(guò)程。第三階段主要研究方君璧建國(guó)后定居海外期間“中西融合”藝術(shù)實(shí)踐經(jīng)歷和觀念的發(fā)展過(guò)程，重點(diǎn)研究其創(chuàng)作思路和畫面意蘊(yùn)。第三章主要從文化、審美等角度對(duì)方君璧油畫人物、油畫風(fēng)景及靜物進(jìn)行深刻剖析，揭示其藝術(shù)創(chuàng)作觀念和創(chuàng)作規(guī)律。文章第四章從藝術(shù)發(fā)展的角度揭示方君璧油畫藝術(shù)的內(nèi)涵及文化意義。 藝術(shù)具有多元化的文化特質(zhì)，兼容并蓄和獨(dú)樹一幟是藝術(shù)發(fā)展的基本動(dòng)力，通過(guò)系統(tǒng)研究，筆者認(rèn)為方君璧的油畫實(shí)踐是對(duì)中西藝術(shù)融合一種有價(jià)值的探索，其油畫藝術(shù)對(duì)我國(guó)文化發(fā)展、藝術(shù)建設(shè)、文化傳播都有積極而廣泛的作用。
[Abstract]:Fang Junbi (1898-1986) is an important and special female painter in China in the 20th century, and the first Chinese woman to study western painting in France. With the emergence of the trend of thought of "art revolution" in modern China, Fang Junbi began to explore the painting style of "Chinese and Western integration", whose oil painting style is compatible with Chinese and Western, and has the purity and thickness of western oil painting language. Can also express a strong Eastern cultural implications, in the painting world quite influential. Due to political reasons, after 1949 long overseas, Fang Junbi's artistic achievements were lost in history, not well known in the domestic art world. Fang Junbi's artistic career is nearly 70 years old, with vigorous creative energy, good artistic accomplishment, brave artistic innovation spirit, a creative attitude loyal to subjective artistic feelings, and unceasing pursuit of art in the face of adversity. It not only guarantees the thickness of his oil paintings, but also has profound cultural significance. This article is mainly from the four chapters of the oil painting art of the other gentleman. The first chapter, based on the situation of studying abroad in China in the early 20th century and the experience of Fang Junbi's family, combing the special political atmosphere of Fang Junbi's life, systematically combs the regional and cultural background of his oil painting art growth. The second chapter deeply studies Fang Junbi's oil painting practice experience and analyzes the basic law of his artistic creation style change. Fang Junbi's life experience is complicated and tortuous, including her art path. Although the artistic concept of Fang Junbi's integration of China and the West has undergone constant changes and refinements, it has never been interrupted. According to the time, region and style change of its artistic creation, it can be divided into three stages: the enlightening period of artistic creation, the period of exploration and the period of development. The first stage of enlightenment mainly includes the basic training of Fang Junbi's realism techniques of Western academicians and his creative practice of "melting the West from the Middle to the East". In the second stage, Fang Junbi communicates with the painting schools and art societies in China. Gradually complete the process from hard transplantation to mature control of Chinese and Western oil painting art language exploration process. The third stage mainly studies the development process of the artistic practice and concept of "Chinese and Western Integration" during the period of Fang Junbi's settling overseas after the founding of the people's Republic of China, with emphasis on his creative ideas and picture implication. The third chapter mainly from the cultural, aesthetic and other perspectives of the other side of the oil painting characters, oil painting scenery and still life to carry on the profound analysis, reveal its artistic creation idea and creation law. The fourth chapter reveals the connotation and cultural significance of Fang Junbi's oil painting from the angle of artistic development. Art has diversified cultural characteristics, inclusive and unique is the basic driving force for the development of art. Through systematic research, the author thinks that Fang Junbi's oil painting practice is a valuable exploration for the integration of Chinese and Western art. The art of oil painting plays an active and extensive role in the development, construction and dissemination of Chinese culture.
【學(xué)位授予單位】：浙江理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J213

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