本文選題：現(xiàn)當代 + 陶瓷繪畫��； 參考：《景德鎮(zhèn)陶瓷學院》2013年碩士論文

【摘要】：清末時期，由于封建社會制度的瓦解，御窯廠也不復存在，那時的制瓷業(yè)也沒有以前官窯瓷器不在受到那么條條框框約束，一些陶瓷藝人的個人意識逐漸“蘇醒”。隨后“珠山八友”等藝人的涌現(xiàn)，使得現(xiàn)當代陶瓷繪畫出現(xiàn)了萌芽期。之后的民國時期陶瓷繪畫藝術(shù)家的個性語言也有了雛形。關(guān)鍵在改革開放以來這些藝術(shù)家收到傳統(tǒng)和西方的教的雙重洗禮。特別是全面陶瓷技能的學習，使他們成為現(xiàn)當代陶瓷繪畫的一代新人。當今受到當代藝術(shù)的滋養(yǎng)和陶瓷科技的進步，陶瓷材料市場新釉色、新工藝、新窯爐，層出不窮�，F(xiàn)當代陶瓷繪畫創(chuàng)作者多元化的個性表現(xiàn)和獨具特色的技巧語言，呈現(xiàn)出來風格多樣、性格鮮明的多種形式。之說以形成這種“百花爭艷、春回大地”的這一勝景，，有多方面的因素推動著現(xiàn)當代陶瓷繪畫的車輛前行。像：陶瓷材料的的不斷研發(fā)和改進、新型工藝的改進和完善、時代的變革、以及社會對陶瓷繪畫的關(guān)懷。 中國畫和書法歷來被人們當作是高雅的藝術(shù)，成為達官顯貴、文人墨客附庸風雅的首選。但是隨著時代的變遷、藝術(shù)的發(fā)展，這種高雅的藝術(shù)不再單純的悅動與紙上，它有了新的載體和表現(xiàn)形式，其中光澤鮮潤、易于保存的瓷器延伸出的新的藝術(shù)類種。陶瓷文化，可以形成一種物質(zhì)與精神的沉淀，是民族文化的重要組成部分。
[Abstract]:In the late Qing Dynasty, due to the collapse of feudal society, the imperial kiln factory also ceased to exist. At that time, the porcelain industry was not so restricted by rules and regulations as before, and some ceramic artists gradually "woke up" their personal consciousness. Subsequently, the emergence of artists such as Pearl Mountain eight Friends made modern and contemporary ceramic painting appear in its infancy. The later period of the Republic of China ceramic painting artist's personality language also had the embryonic form. The key is that since the reform and opening up, these artists have received the dual baptism of traditional and Western religions. In particular, the study of comprehensive ceramic skills makes them a new generation of contemporary ceramic painting. Nowadays, by the nourishment of contemporary art and the progress of ceramic science and technology, new glaze, new technology and new kiln are emerging in the ceramic material market. Modern and contemporary ceramic painting creators diversified personality and unique technical language, showing a variety of styles and distinct forms. In order to form this kind of "flowers, spring back to the earth", there are many factors driving the vehicles of modern and contemporary ceramic painting. Like: the continuous development and improvement of ceramic materials, the improvement and improvement of new technology, the revolution of the times, and the concern of society for ceramic painting. Chinese painting and calligraphy has always been regarded as an elegant art, become the official dignitaries, literati vassal elegant preferred. But with the change of the times and the development of art, this elegant art is no longer pure pleasure and paper, it has a new carrier and form of expression, in which bright and moist, easy to preserve porcelain extended out of the new art species. Ceramic culture, which can form a kind of material and spiritual precipitation, is an important part of national culture.
【學位授予單位】：景德鎮(zhèn)陶瓷學院
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J527;J205

【參考文獻】

相關(guān)期刊論文 前3條

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3 鐘蓮生;論珠山八友的藝術(shù)成就及其作品的美學特征[J];中國陶瓷;2002年04期

本文編號：1913843