本文選題：《仇畫(huà)列女傳》 + 插畫(huà)�。� 參考：《中南林業(yè)科技大學(xué)》2016年碩士論文

【摘要】：作為中國(guó)版畫(huà)史上的黃金時(shí)代,明代誕生了大量精美絕倫的插畫(huà)作品。明代四大家之一仇英所繪的《仇畫(huà)列女傳》,是明代插畫(huà)刻本中的代表性作品,具有極大的研究?jī)r(jià)值�！冻甬�(huà)列女傳》完稿于明代中晚期,其插畫(huà)中所呈現(xiàn)的生活場(chǎng)景,或多或少地反映了這一時(shí)期家具的發(fā)展?fàn)顩r,也向我們展示了明代中晚期的家具文化。本文通過(guò)大量查閱明代中晚期的家具史料,系統(tǒng)梳理了《仇畫(huà)列女傳》插畫(huà)中家具及布局陳設(shè)的相關(guān)情況,在此基礎(chǔ)上借助AutoCAD和3dsMax等繪圖軟件對(duì)《仇畫(huà)列女傳》中的典型家具與室內(nèi)場(chǎng)景進(jìn)行“復(fù)原性”繪制工作。在《仇畫(huà)列女傳》的概述部分,從其成書(shū)背景、脈絡(luò)信息、人物形象、作者介紹等方面對(duì)《仇畫(huà)列女傳》時(shí)代背景與基本信息進(jìn)行梳理,為后期家具研究建立良好的歷史時(shí)間研究基礎(chǔ)；并進(jìn)一步與其他兩版《列女傳》插畫(huà)繪本對(duì)比分析,得出三者在故事情節(jié)的一致性、畫(huà)面描繪的差異性等結(jié)論。在《仇畫(huà)列女傳》的家具研究部分,闡述了《仇畫(huà)列女傳》中的家具的“寫(xiě)實(shí)”、“寫(xiě)意”特性；詳盡統(tǒng)計(jì)了插畫(huà)中所繪家具的基本情況,得出了在196幅含家具形態(tài)插畫(huà)中,所涉及的家具多達(dá)496件；按家具功能分為坐具類(lèi)、承具類(lèi)、臥具類(lèi)、庋具類(lèi)、架具類(lèi)及屏具類(lèi),家具裝飾手法主要有雕刻、鑲嵌,裝飾題材多為吉祥圖案、植物紋樣、山水圖案；并揭示了整體空間布局特色與家具陳設(shè)制度,細(xì)致探討了織物類(lèi)、文房清玩類(lèi)及其他陳設(shè)等三大類(lèi)陳設(shè)品；最后與仇英其他繪畫(huà)作品、明代中晚期其他插畫(huà)刻本中的家具進(jìn)行對(duì)比分析。在《仇畫(huà)列女傳》中典型家具、室內(nèi)場(chǎng)景“復(fù)原”繪制部分,借助AutoCAD和3dsMax等繪圖軟件分別對(duì)插畫(huà)中家具進(jìn)行了繪制工作。
[Abstract]:As the golden age of the history of Chinese printmaking, the Ming Dynasty was born with a great number of beautiful illustrations. In the Ming Dynasty, one of the four people of the Ming Dynasty was a representative work in the illustrations of the Ming Dynasty, which was a representative work of the Ming Dynasty. It reflects the development of furniture in this period and shows us the furniture culture of the middle and late Ming Dynasty. By consulting a large number of historical materials in the middle and late Ming Dynasty, this article systematically combed the related situation of furniture and layout in the illustration of the vengeance women's biography and illustration, and on this basis, with the help of the drawing software such as AutoCAD and 3dsMax to the "revenge" The typical furniture and indoor scenes in the women's biographies are plotted with "resilience". In the summary part of the vengeance women's biography, the background and basic information of the "vengeance ladies biography" are combed from the background of the book, the information of the chores, the characters and the author's introduction, so as to establish a good foundation for the study of the historical time for the later period furniture research. And further compared with the other two editions of "women's biography > picture book", and draw the conclusion that the three are in the consistency of the plot and the difference in the picture depiction. In the furniture research part of the vengeance women's biography, the "realistic" and "freehand" characteristics of the furniture in the vengeance women's biography are expounded, and the basis of the furniture in the illustrations is detailed. In this case, it is concluded that there are as many as 496 pieces of furniture involved in 196 furniture illustrations. According to the function of furniture, the furniture is divided into a seat type, a bearing class, a bedding type, a rack type, a rack type and a screen type. The furniture decoration techniques are mainly carved, inlaid, and decorated with auspicious pictures, plant patterns, and landscape patterns; and the overall spatial layout is revealed. Features and furniture furnishings system, detailed discussion of the fabric, the room, and other furnishings of three types of furnishings; finally with the other paintings of the enemy English, and other illustrations in the middle and late Ming Dynasty, the furniture of other illustrations in the middle and late Ming Dynasty is compared. In the "the Revenge of the woman" in the classic furniture, the indoor scene "recovery" drawing part, with the help of AutoCAD and 3dsMa X and other drawing software respectively drew the furniture in illustrations.
【學(xué)位授予單位】：中南林業(yè)科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類(lèi)號(hào)】：TS664.0;J218.5

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