本文選題：連環(huán)畫 + 個性化塑造�。� 參考：《鄭州輕工業(yè)學院學報(社會科學版)》2016年02期

【摘要】：新中國成立至"文革"前夕為中國連環(huán)畫藝術的第一繁榮期。相對穩(wěn)定的政治環(huán)境、連環(huán)畫自身優(yōu)勢的日益凸顯,以及熱情高漲的創(chuàng)作隊伍,促進了我國連環(huán)畫藝術的第一次繁榮。這一時期,連環(huán)畫取得了以下成就:其一,題材與內(nèi)容日趨多樣化。這一時期的作品,選題面寬,古代、現(xiàn)代和其他題材并存;內(nèi)容積極健康,以歌頌現(xiàn)實和表現(xiàn)文學名著為主。其二,形象塑造日趨個性化。這一時期的連環(huán)畫注重表現(xiàn)劇本角色的內(nèi)心世界和性格特征,塑造出了鮮明的有血有肉的人物形象。其三,構圖日趨多樣化。這一時期的連環(huán)畫突破了新中國成立前以中景為主的取景手法,適時選取近景、特寫和遠景,增強了連環(huán)畫的可觀賞性;在取景角度上,除了采取平視角度外,俯視、仰視,甚至斜視等各個不同角度構圖也在這一時期的優(yōu)秀作品中大量出現(xiàn);在構圖上,多利用景物的大小、高低,線條的疏密、曲直,以及明暗的對比變化達到畫面繁簡、輕重、虛實、動靜的完美統(tǒng)一。其四,表現(xiàn)手法日趨多樣化。這一時期的連環(huán)畫線描和國畫手法比重較大,尤其工筆重彩、水墨、彩墨等傳統(tǒng)手法的運用,增加了連環(huán)畫的民族特色,符合廣大人民群眾的欣賞習慣,深受歡迎;另外,素描等西洋表現(xiàn)手法在連環(huán)畫中也有積極的嘗試。
[Abstract]:From the founding of New China to the eve of the Cultural Revolution, it was the first prosperous period of Chinese comic book art. The relatively stable political environment, the increasingly prominent advantages of comic books, as well as the enthusiasm of the creative team, promoted the first prosperity of the comic book art in China. During this period, comic books have made the following achievements: first, the subject matter and content are becoming more and more diversified. The works of this period include broad selection of topics, coexistence of ancient, modern and other subjects, and positive and healthy contents, mainly in praise of reality and performance of literary masterpieces. Secondly, image shaping is becoming more and more individualized. The comic books of this period pay attention to the inner world and character characteristics of the script characters, and shape the vivid characters. Third, the composition of the increasingly diversified. The comic books of this period broke through the technique of setting scenes mainly in mid-view before the founding of New China, and selected close-view, close-up and visionary at the right time, which enhanced the viewability of comic books. In the view of view, in addition to taking the angle of level view, they looked down and looked up. Even the composition of different angles, such as strabismus, also appeared in a large number of excellent works of this period. In composition, the size and height of the scene, the density of the lines, the curvature, and the contrast of light and shade reached the complexity and weight of the picture. The perfect unity of reality and movement. Fourth, the means of expression are becoming more and more diversified. In this period, the proportion of comic strip drawing and traditional Chinese painting techniques was large, especially the use of traditional techniques such as fine brushwork, ink, color ink and other traditional techniques, which increased the national characteristics of comic books, and were in line with the appreciation habits of the broad masses of the people and were very popular; in addition, Sketches and other Western expression techniques in comic books also have an active attempt.
【作者單位】： 鄭州輕工業(yè)學院藝術設計學院;
【基金】：河南省哲學社會科學規(guī)劃項目(2012CYS012)
【分類號】：J218.4

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