發(fā)布時(shí)間：2018-05-18 23:02

  本文選題：中國(guó)畫 + 工筆花鳥畫　； 參考：《新疆師范大學(xué)》2013年碩士論文

【摘要】：中國(guó)的繪畫藝術(shù)是與東方文化緊密相連的，繪畫藝術(shù)由于它的直觀性、敏感性等特點(diǎn)，對(duì)社會(huì)文化的變化反映最為直接。徐悲鴻先生認(rèn)為：“造詣確為古今世界第一位者，首推花鳥”。中國(guó)花鳥畫最能表達(dá)人們的思想內(nèi)涵，，作者通過(guò)對(duì)自然物象的描繪，來(lái)抒發(fā)作者的思想情感，是作者對(duì)現(xiàn)實(shí)生活的真實(shí)寫照，體現(xiàn)了時(shí)代文化，同時(shí)也反映出了一定的社會(huì)問(wèn)題。 花鳥畫作為中國(guó)畫中出現(xiàn)最早的，只是起初并未獨(dú)立成科。早在原始社會(huì)，花鳥畫就以花鳥紋樣的形式出現(xiàn)在彩陶上，隨著時(shí)代的發(fā)展，花鳥畫圖式也隨之變化。從原始社會(huì)花鳥畫的產(chǎn)生，到唐朝花鳥畫獨(dú)立成科，再到兩宋時(shí)期院體畫的巔峰時(shí)期，直到現(xiàn)當(dāng)代花鳥畫的發(fā)展壯大，這都反映出了花鳥畫圖式的演變過(guò)程，反映出一種對(duì)傳統(tǒng)繼承、開(kāi)拓與創(chuàng)新的過(guò)程，在這個(gè)過(guò)程中，形成了中國(guó)花鳥畫所具有的強(qiáng)烈的民族風(fēng)格和時(shí)代特征以及個(gè)人的獨(dú)特面貌。 本文通過(guò)研究工筆花鳥畫圖式的起源及其發(fā)展過(guò)程，分析每個(gè)時(shí)期工筆花鳥畫的繪畫圖式，并剖析其原因，著重分析現(xiàn)當(dāng)代工筆花鳥畫圖式語(yǔ)言的開(kāi)拓與創(chuàng)新。在研究過(guò)程中，每個(gè)時(shí)代的工筆花鳥畫圖式是不一樣的，說(shuō)明每個(gè)時(shí)代的文化背景也是不一樣的，即說(shuō)明了文化的重要性。 藝術(shù)創(chuàng)作的可貴之處在于其原創(chuàng)性、稀有性以及無(wú)可替代性。藝術(shù)家應(yīng)當(dāng)多了解社會(huì)生活，關(guān)注社會(huì)文化，不斷增強(qiáng)自身的文化修養(yǎng)，將自己的情感注入到作品中，通過(guò)繪畫圖式來(lái)展示時(shí)代文化的背景，從真正意義上做到“筆墨當(dāng)隨時(shí)代”，呈現(xiàn)出中國(guó)當(dāng)今文化語(yǔ)境下的“當(dāng)代性”繪畫。面對(duì)多元文化的介入，藝術(shù)家如何在繪畫創(chuàng)作中創(chuàng)作出屬于自己獨(dú)特風(fēng)格的繪畫圖式，這是值得藝術(shù)家思考的問(wèn)題。
[Abstract]:Chinese painting art is closely related to oriental culture. Because of its intuitive and sensitive features, painting art reflects the changes of social culture most directly. Mr Xu Beihong said: "attainments are indeed the first person in the world, the first to push flowers and birds." The Chinese flower and bird painting can express people's thought intension most, the author expresses the author's thought emotion through the description of the natural object image, is the author's true portrayal of the real life, has manifested the time culture, At the same time, it also reflects certain social problems. Flower and bird painting as the earliest Chinese painting, but at first did not become an independent family. As early as the primitive society, the flower and bird painting appeared on the painted pottery in the form of flower and bird pattern, and with the development of the times, the pattern of the flower and bird painting also changed. From the birth of flower and bird painting in primitive society to the independent family of flower and bird painting in Tang Dynasty, to the peak period of courtyard painting in the Song Dynasty, to the development and expansion of modern and contemporary flower and bird painting, all these reflect the evolution process of flower and bird painting schema. It reflects a process of inheriting, developing and innovating the tradition. In this process, the Chinese flower and bird painting has the strong national style, the times characteristic and the individual unique appearance. Through the study of the origin and development process of the fine brushwork flower-and-bird painting schemata, this paper analyzes the painting schemata of each period, and analyzes its causes, and emphatically analyzes the development and innovation of the modern and contemporary flower-and-bird painting schemata. In the process of research, the fine brushwork and bird painting schemata of each era are different, and the cultural background of each era is also different, that is to say, the importance of culture is explained. The value of artistic creation lies in its originality, rarity and irreplaceable nature. Artists should learn more about social life, pay more attention to social culture, constantly enhance their cultural accomplishment, inject their emotions into their works, and display the cultural background of the times by drawing schemata. In the real sense, "pen and ink should follow the times", which presents the contemporary painting in the cultural context of China. In the face of the multi-cultural intervention, it is worth the artist's consideration how to create the painting schema which belongs to his own unique style in his painting creation.
【學(xué)位授予單位】：新疆師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J212

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本文編號(hào)：1907578