發(fā)布時(shí)間：2018-05-17 11:26

  本文選題：王蒙 + 取舍　； 參考：《上海師范大學(xué)》2017年碩士論文

【摘要】：“以元人筆墨,運(yùn)宋人丘壑,而澤以唐人氣韻,乃為大成�！痹诒究频膶W(xué)習(xí)過程中,就對(duì)王蒙的山水情有獨(dú)鐘,他的用筆技法相當(dāng)高妙,皴法多樣,披麻解索并用,晚年則用自創(chuàng)的牛毛皴,點(diǎn)苔也是各種點(diǎn)法混用。他畫的山水樹木繁多、叢林處處、回環(huán)重疊、千巖萬壑、煙靄蒼茫、曲盡山林幽致。而王蒙在師法董、巨之后,又做出了變格,一是在章法上,二是在筆墨上。王蒙是山水學(xué)習(xí)階段一位比較值得學(xué)習(xí)的畫家,他的山水構(gòu)圖繁密,筆墨千變?nèi)f化,又取景于自然,對(duì)以后的寫生、創(chuàng)作都有很大的幫助。通過對(duì)王蒙山水中比較特別的一幅畫《葛稚川移居圖》的分析,從取舍前人作畫之法、取舍自然山水之景到創(chuàng)作胸中丘壑,借鑒王蒙對(duì)畫面的取舍處理,整理總結(jié)對(duì)自己的創(chuàng)作有所幫助,從而慢慢尋找自己在山水創(chuàng)作中的個(gè)性化表現(xiàn)。
[Abstract]:"with Yuan Dynasty's pen and ink, transport Song people Qiu Chi, and Ze to Tang people's charm, is for big Cheng." In the course of undergraduate study, he has a special love for Wang Meng's mountains and rivers. His pen technique is very good, his chapping method is diverse, he drapes hemp to solve the rope, and in his later years he uses the self-made cattle hair chapped, and the moss is mixed with a variety of points. He painted a wide range of mountains and rivers and trees, jungle everywhere, ring overlap, rocks, smoke and mist, qu du mountain forest. And Wang Meng in the Dafa Dong, Giant, and made a change, one is in the rules, the other is on the ink. Wang Meng is a painter who is worth studying in the study stage of landscape. His composition of landscape is numerous, his pen and ink are varied, and his scenery is in nature, which is of great help to the later sketching and creation. Through the analysis of a special painting in Wang Meng landscape, "GE Zhichuan's migration picture", from the method of choosing and selecting the painting of predecessors, from the landscape of natural landscape to the mound in the creative chest, we can learn from Wang Meng's treatment of the picture. Collation and summary of their own creation to help, and slowly find their own in the landscape creation of personalized performance.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J212

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相關(guān)期刊論文 前3條

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本文編號(hào)：1901180