本文選題：工筆人物畫 + 工筆重彩畫��； 參考：《山東師范大學(xué)》2013年碩士論文

【摘要】：在當(dāng)今多元文化背景下，工筆人物畫的創(chuàng)作呈現(xiàn)多樣性的發(fā)展�？v觀歷史，審視中西繪畫色彩始終是構(gòu)成畫面最主要的因素。色彩這種多樣豐富的表現(xiàn)語(yǔ)言為不同時(shí)期的作品賦予了不同的時(shí)代風(fēng)格。通過(guò)對(duì)古今工筆人畫色彩表現(xiàn)的分析，，畫面呈現(xiàn)的藝術(shù)效果的總結(jié)，分析自己在工筆人物畫的創(chuàng)作心得和體驗(yàn)。
[Abstract]:In today's multi-cultural background, the creation of meticulous figure painting presents a variety of development. Throughout history, examining the color of Chinese and Western paintings has always been the most important factor in the composition of the picture. The diverse and rich expression language of color has given different times style to the works of different periods. Through the analysis of the color performance of the ancient and modern meticulous figure painting and the summary of the artistic effect presented on the screen, the author analyzes his own experience and experience in the creation of the meticulous figure painting.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J212

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 張弘;論傳統(tǒng)工筆畫色彩的特性及其現(xiàn)代發(fā)展[J];華南師范大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2004年04期

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