本文選題：明清之際 + 西洋�。� 參考：《考古與文物》2017年04期

【摘要】：西洋畫法在明末被引進(jìn)中國(guó),景德鎮(zhèn)青花畫工為表現(xiàn)光影轉(zhuǎn)變的西洋畫法而創(chuàng)新出一些畫法。因?yàn)榭滴鹾陀赫南埠?國(guó)畫和官民窯青花瓷上大量使用西洋畫法;由于乾隆的反感和指示,高光畫法被從國(guó)畫和青花瓷上除去。
[Abstract]:Western painting was introduced into China at the end of Ming Dynasty, and Jingdezhen blue and white painters innovated some painting methods in order to show the change of light and shadow. Because of the preference of Kangxi and Yongzheng, Western painting was widely used in traditional Chinese painting and blue and white porcelain of Guanmin Kiln. Because of Qianlong's antipathy and instructions, the high light painting method was removed from traditional Chinese painting and blue and white porcelain.
【作者單位】： 北京師范大學(xué)歷史學(xué)院;
【基金】：“國(guó)家社會(huì)科學(xué)基金重大項(xiàng)目《非洲出土中國(guó)古代外銷瓷與海上絲綢之路研究》”(項(xiàng)目批號(hào):15ZDB057)的資助
【分類號(hào)】：J21;K876.3
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本文編號(hào)：1898619