本文選題：莫奈油畫(huà) + 東方情趣　； 參考：《江蘇師范大學(xué)》2013年碩士論文

【摘要】：人類(lèi)對(duì)于未知的事物永遠(yuǎn)充滿(mǎn)了好奇心。不論是東方人，還是西方人，都神往于遙遠(yuǎn)、陌生、神秘而新奇的異國(guó)風(fēng)情。曾任北京大學(xué)校長(zhǎng)的蔡元培先生說(shuō)過(guò)：“藝術(shù)是唯一的世界性語(yǔ)言�！倍@種世界性語(yǔ)言的對(duì)話，即東西方藝術(shù)的交流與融合，可以突破種族、地域、宗教的界限，從而促進(jìn)人類(lèi)文明的繁榮，帶動(dòng)?xùn)|西方文化的共同發(fā)展與進(jìn)步。 莫奈是19世紀(jì)歐洲最具有影響力的畫(huà)家之一，他在油畫(huà)創(chuàng)作方面取得的成就是大家公認(rèn)的，，在莫奈的油畫(huà)中我們不僅能看到西方印象派對(duì)“光與色”的追求，同時(shí)也能看到具有東方情趣的題材、構(gòu)圖、色彩、筆觸……本文研究的就是莫奈油畫(huà)中的東方情趣，希望通過(guò)對(duì)莫奈畫(huà)中所蘊(yùn)含的東方情趣的深入剖析，以小見(jiàn)大，看到不同文化背景下產(chǎn)生的不同繪畫(huà)藝術(shù)，在藝術(shù)風(fēng)格交流上，審美品格交融上的可能性。 本文首先論述莫奈與東方藝術(shù)的情緣所在,即日本浮世繪藝術(shù)對(duì)莫奈繪畫(huà)的直接影響、莫奈繪畫(huà)與中國(guó)傳統(tǒng)繪畫(huà)在表現(xiàn)手法上的共通之處，通過(guò)論述莫奈與以中、日為主的東方文化藝術(shù)存在的情緣,為下文具體論述莫奈油畫(huà)中的東方情趣具體表現(xiàn)埋下伏筆。其次，借助莫奈幾幅具有代表性的油畫(huà)作品來(lái)具體地對(duì)莫奈繪畫(huà)中的東方情趣進(jìn)行解析與論述。最后，得出結(jié)論，從莫奈的畫(huà)中我們看到了東西方文化的完美交流與融合，這個(gè)啟示也為我國(guó)當(dāng)代油畫(huà)的創(chuàng)新發(fā)展提供了參考。
[Abstract]:Man is always curious about the unknown. Whether Orientals or Westerners, they are attracted to distant, strange, mysterious and novel exotic customs. Mr. Cai Yuanpei, a former president of Peking University, said: "Art is the only world language." This kind of dialogue of world language, that is, the exchange and fusion of eastern and western art, can break through the boundaries of race, region and religion, thus promote the prosperity of human civilization and promote the common development and progress of eastern and western cultures. Monet is one of the most influential painters in Europe in the 19th century. His achievements in oil painting are universally acknowledged. In Monet's paintings, we can not only see the pursuit of "light and color" by Western impressionists. At the same time, you can also see the subject matter, composition, color, brush strokes with oriental interest. This article studies the oriental interest in Monet's oil painting. I hope that through the in-depth analysis of the oriental interest contained in Monet's paintings, I can see the whole through a small part of it, see the different painting arts produced under different cultural backgrounds, and communicate with each other in artistic styles. The possibility of blending aesthetic character. This paper first discusses the relationship between Monet and oriental art, that is, the direct influence of Japanese picturesque on Monet's painting, the common point between Monet painting and Chinese traditional painting, and discusses Monet and Chinese painting. The existence of oriental culture and art, mainly in Japan, lays the groundwork for the concrete expression of oriental interest in Monet's oil painting below. Secondly, with the help of Monet's several representative oil paintings, the oriental interest in Monet's paintings is analyzed and discussed in detail. Finally, the conclusion is drawn that we have seen the perfect communication and fusion of eastern and western cultures from Monet's paintings, which provides a reference for the innovation and development of contemporary oil painting in China.
【學(xué)位授予單位】：江蘇師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J213

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