本文選題：人物畫 + 景物�。� 參考：《南京藝術(shù)學(xué)院》2014年碩士論文

【摘要】：中國畫講究意境，意境是一種情與景的融合。在人物畫的畫面中意境的體現(xiàn)可以表現(xiàn)在很多方面，比如：對畫面中人物表情、姿態(tài)的細(xì)節(jié)刻畫；把握畫面色調(diào)進(jìn)行主觀處理；布白的特殊安排；還有畫面中景物的安置等。在我看來一幅人物畫作品應(yīng)該把人物與環(huán)境融合為一體進(jìn)行整體把握，，把人物的精神表現(xiàn)作為主要追求，注重對畫面意境的營造。因此本文主要從構(gòu)圖的需要和意境的需要兩方面來分析人物畫作品中的配景，通過論述人物畫配景的理論依據(jù),分析古代優(yōu)秀人物畫作品和現(xiàn)當(dāng)代人物畫作品的圖式來探討人物畫的藝術(shù)表現(xiàn)，并結(jié)合自己的一系列創(chuàng)作談配景在我的作品中的應(yīng)用。
[Abstract]:Chinese painting pays attention to the artistic conception, the artistic conception is a kind of emotion and the scene fusion. The embodiment of artistic conception in the painting of figure painting can be shown in many aspects, such as: the detailed depiction of the expression and posture of the characters in the picture; the subjective processing of grasping the color of the picture; the special arrangement of the white cloth; and the placement of the scene in the picture. In my opinion, a figure painting should integrate the characters and the environment as a whole, take the spirit of the characters as the main pursuit, and pay attention to the creation of the artistic conception of the picture. Therefore, this article mainly from the composition and the artistic conception needs two aspects to analyze the figure painting works in the matching scene, through discusses the figure painting matching scene theory basis, This paper discusses the artistic expression of figure painting by analyzing the schemata of ancient outstanding figure painting works and contemporary figure painting works, and discusses the application of scene matching in my works with a series of creation.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J212

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 占必傳;論傳統(tǒng)中國人物畫的構(gòu)圖特點[J];黃岡師專學(xué)報;1997年02期

本文編號：1893824