本文選題：《平山堂圖志》 + 版畫��； 參考：《南京藝術學院學報(美術與設計)》2017年01期

【摘要】：《平山堂圖志》是研究清代版畫及社會文化的重要書籍。筆者在回顧版畫史研究的成果與限制后,嘗試從《平山堂圖志》出發(fā),依據(jù)圖像本身所提供的資料條分縷析,將觀看關系注入權力的元素,從而進入反思的范疇,即版畫預設的觀者如何在觀看之中重新賦予地方名勝以新的意義,彰顯出地景塑造與政治權力之間的微妙關系。筆者認為,《平山堂圖志》作為歌頌太平盛世的政治產(chǎn)物,不僅是乾隆皇帝南巡揚州的"旅游指南",更是大清皇室、官僚等權力機構對于行政、文化乃至帝國秩序的想象。
[Abstract]:Pingshan Tang Tu Zhi is an important book for the study of Qing Dynasty prints and social culture. After reviewing the achievements and limitations of the study on the history of printmaking, the author tries to set out from "Pingshan Tang Tu Zhi", according to the information provided by the image itself, to divide the viewing relationship into the elements of power, so as to enter the category of reflection. That is, how the preset viewer of printmaking gives new meaning to the local scenic spots in the viewing process, which reveals the subtle relationship between landscape shaping and political power. The author thinks that as the political product of pingshan Tang Tu Zhi, it is not only the "tourist guide" of Emperor Qianlong's southern tour of Yangzhou, but also the imagination of the imperial family, bureaucrats and other power institutions about administration, culture and even imperial order.
【作者單位】： 廣州美術學院美術教育學院;
【分類號】：J217
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本文編號：1891863