本文選題：嬰戲圖 + 元明清時(shí)期�。� 參考：《福建師范大學(xué)》2013年碩士論文

【摘要】：嬰戲圖,也稱嬰戲紋,是以孩童玩樂、游戲?yàn)轭}材,描繪兒童生活場(chǎng)景的畫作,它從屬于人物畫而又具有相對(duì)獨(dú)立性。嬰戲圖在中國(guó)古代藝術(shù)史中屬于較小的題材。它在中國(guó)歷史中經(jīng)歷了漫長(zhǎng)的發(fā)展過程,隋唐形成、宋代成為獨(dú)立的畫科、元明清時(shí)期達(dá)到輝煌。本文著重研究元明清時(shí)期的嬰戲圖,考察其在三個(gè)朝代的演變過程,探索其呈現(xiàn)的風(fēng)貌及演變的原因。 論文主要分為三個(gè)部分。一、對(duì)嬰戲圖進(jìn)行釋義,并將所研究嬰戲圖的范圍作出界定。通過對(duì)嬰戲圖發(fā)展史的簡(jiǎn)述,深入解析元明清時(shí)期嬰戲圖的概況。二、筆者根據(jù)出土的實(shí)物和前人研究的成果,對(duì)元明清嬰戲圖的演變進(jìn)行分析、考察,按照嬰戲圖在風(fēng)格、文化內(nèi)涵等方面的分類,以元明清嬰戲圖演變過程中的主要載體為出發(fā)點(diǎn),整合了它在元明清三代的不同表現(xiàn)。三、首先從大的環(huán)境,如政治、經(jīng)濟(jì)、文化、思想方面,再次從中國(guó)傳統(tǒng)繪畫和西方繪畫的影響方面,最后從其自身文化方面,著重分析元明清嬰戲圖演變的原因。 由此可以更加全面的認(rèn)識(shí)嬰戲圖的發(fā)展,并加深對(duì)嬰戲圖在元明清時(shí)期的認(rèn)識(shí)。
[Abstract]:Baby play picture, also called baby play pattern, is a painting depicting children's life scene based on children's play and game. It belongs to figure painting and has relative independence. Baby play is a minor theme in the history of ancient Chinese art. It experienced a long process of development in Chinese history. It formed in Sui and Tang dynasties, became an independent painting subject in Song Dynasty, and achieved brilliance in Yuan, Ming and Qing dynasties. This paper focuses on the study of the baby play in the Yuan, Ming and Qing dynasties, examines its evolution in the three dynasties, and explores its style and the reasons for its evolution. The paper is divided into three parts. First, define the infant play plan and define the scope of the baby play plan studied. Through the brief introduction of the development history of infant play map, this paper deeply analyzes the general situation of infant play map in Yuan, Ming and Qing dynasties. Second, based on the unearthed objects and the achievements of previous studies, the author analyzes the evolution of the infant play drawings in Yuan, Ming and Qing dynasties, and investigates them, and classifies them according to their styles and cultural connotations. Based on the main carrier in the evolution process of the infant play chart in Yuan, Ming and Qing dynasties, it integrates its different performance in the three generations of Yuan, Ming and Qing dynasties. Thirdly, from the big environment, such as politics, economy, culture, thought, the influence of Chinese traditional painting and western painting, and finally from its own culture, the paper analyzes the reasons for the evolution of the baby play drawing in Yuan, Ming and Qing dynasties. Therefore, we can understand the development of infant play map more comprehensively, and deepen the understanding of baby play map in Yuan, Ming and Qing dynasties.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J209.2

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相關(guān)期刊論文 前2條

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本文編號(hào)：1890493