本文選題：西北水彩 + 地域資源��； 參考：《西安美術(shù)學(xué)院》2014年碩士論文

【摘要】：中國的西北地區(qū)包括新疆、甘肅、寧夏、青海、陜西橫跨五個省區(qū)，這里地處我國西北邊陲，有著眾多的民族和豐富的文化傳承。是古代東西文化的交匯處，擁有不同于中國其他地區(qū)的特殊地理面貌。把西北五省作為一個區(qū)域整體討論這個地區(qū)水彩藝術(shù)的發(fā)展，主要是基于幾方面原因，一是因為西北地區(qū)的地域地貌特征。水彩畫的起源和發(fā)展，都在氣候環(huán)境相對溫暖潮濕的地區(qū)，但是西北地區(qū)氣候干燥，降雨量少，并不適宜水彩畫發(fā)展，西北地區(qū)的水彩畫立足在西北地區(qū)怎么發(fā)展，有什么共性？二是西北地區(qū)的整體水彩發(fā)展較之東南部地區(qū)的落后。對一個畫家群體的確認(rèn)評價以及定位，一般來講是這個群體本身的耀眼，引得理論家關(guān)注和探討研究之后的肯定。本文研究的意義對于西北水彩藝術(shù)來言，是總結(jié)西北地區(qū)水彩藝術(shù)過去發(fā)展的總體情況，，力求展現(xiàn)一個完整的西北水彩面貌。提出在當(dāng)代水彩藝術(shù)蓬勃發(fā)展的大趨勢下，西北地區(qū)水彩發(fā)展的不足和局限。雖然在過去的時間我們對于西北地區(qū)水彩發(fā)展沒有完整的探討過，但在21世紀(jì)的今天討論地區(qū)、地域性水彩，就是為了西北地區(qū)水彩藝術(shù)的明天做總結(jié)和展望，希望在不久的將來我們西部地區(qū)，可以創(chuàng)作出明確的西部樣式水彩。 本文一共分四個章節(jié)，第一章從西北水彩概念的提出出發(fā)，先闡明西北地區(qū)水彩的提出背景，確立西北地區(qū)的區(qū)域概念。從歷史傳承，文化積淀這些角度來確立西北地區(qū)五省的區(qū)域劃分。然后分析西北大美術(shù)環(huán)境，從西北地區(qū)美術(shù)發(fā)展的大環(huán)境入手，梳理近當(dāng)代西北五省的美術(shù)發(fā)展進(jìn)程來呈現(xiàn)西北地區(qū)大美術(shù)面貌，為西北水彩做一個美術(shù)背景構(gòu)建，最后梳理西北地區(qū)水彩的歷史發(fā)展脈絡(luò)描繪西北水彩具體的面貌，從水彩藝術(shù)進(jìn)入西北地區(qū)一直到當(dāng)代，提出西北水彩這個概念，分析為什么提出西北水彩這個概念。第二、三章首先分析西北地區(qū)地理環(huán)境對西北水彩藝術(shù)的局限，然后分析具體畫家作品的表現(xiàn)手法風(fēng)格面貌，歸納，總結(jié)現(xiàn)當(dāng)代西北水彩的區(qū)域特征。第四章以其他地區(qū)水彩發(fā)展來對比西北地區(qū)水彩藝術(shù)發(fā)展?fàn)顩r，探尋西北水彩的發(fā)展之路。
[Abstract]:The northwest region of China includes Xinjiang, Gansu, Ningxia, Qinghai and Shaanxi. It is located in the northwestern border of China and has a large number of nationalities and rich cultural heritage. East-west culture is the intersection of ancient times, with a special geographical features different from other regions of China. To discuss the development of watercolor art in this area as a whole, the five provinces of Northwest China are mainly based on several reasons, one is the regional geomorphological characteristics of the Northwest region. The origin and development of watercolor painting are in the relatively warm and humid climate. However, the climate in the northwest region is dry and rainfall is low, so it is not suitable for the development of watercolor painting. How to develop the watercolor painting in the northwest region? What do you have in common? Second, the northwest region of the overall watercolor development compared with the southeast region behind. Generally speaking, the recognition, evaluation and orientation of a group of painters is the dazzling of the group itself, which attracts theorists' attention and affirmation after discussing and studying. The significance of this study to the northwest watercolor art is to sum up the general situation of the development of watercolor art in Northwest China, and strive to show a complete northwest watercolor appearance. Under the trend of the flourishing development of contemporary watercolor art, the deficiency and limitation of watercolor development in Northwest China are put forward. Although we have not thoroughly discussed the development of watercolor in the Northwest region in the past, in the 21st century, the discussion area, the regional watercolor, is for the purpose of summing up and looking forward to the future of watercolor art in the Northwest region. Hope that in the near future our western region, can create a clear western style watercolor. This paper is divided into four chapters. The first chapter is based on the concept of northwest watercolor, first of all, it clarifies the background of watercolor in Northwest China, and establishes the regional concept of Northwest China. From the perspective of historical inheritance and cultural accumulation, the regional division of five provinces in Northwest China is established. Then, by analyzing the northwest great art environment, starting with the great environment of the development of the art in the northwest region, combing the fine arts development process of the five contemporary northwest provinces to present the great art appearance of the northwest region, and building an art background for the northwest watercolor, Finally combing the historical development of watercolor in Northwest China describes the concrete features of the Northwest watercolor from the watercolor art into the Northwest to the contemporary put forward the concept of Northwest watercolor and analyze why the concept of Northwest watercolor. Second, the third chapter first analyzes the northwest geographical environment to the northwest watercolor art limitation, then analyzes the concrete painter work expression technique style appearance, induces, summarizes the present and contemporary northwest watercolor regional characteristic. The fourth chapter contrasts the development of watercolor art in Northwest China with the development of watercolor in other regions, and explores the development road of watercolor in Northwest China.
【學(xué)位授予單位】：西安美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J215

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