朱耷文人畫(huà)筆墨成因研究
發(fā)布時(shí)間:2018-05-14 22:35
本文選題:朱耷 + 文人畫(huà); 參考:《吉林藝術(shù)學(xué)院》2013年碩士論文
【摘要】:在中國(guó)繪畫(huà)藝術(shù)史上,朱耷是一位個(gè)性鮮明的藝術(shù)家,詩(shī)書(shū)、畫(huà)印、佛法、禪學(xué)皆通,,尤其是他的文人畫(huà)作品。 本文分別從朱耷獨(dú)特的筆墨語(yǔ)言及繪畫(huà)風(fēng)格入手,主要包括獨(dú)特的構(gòu)圖、極簡(jiǎn)的筆墨、怪誕的造型、白眼望青天、多變的款識(shí)等五個(gè)方面舉例分析,通過(guò)圖像分析法、舉例說(shuō)明法,找出形成朱耷文人畫(huà)風(fēng)格形成的原因:一是生于藝術(shù)世家,自小打下良好的繪畫(huà)基礎(chǔ)。二是多難的人生經(jīng)歷,以及身為前朝皇室后裔,思念故國(guó)的遺民情結(jié)。三是佛學(xué)道法兼濟(jì)的禪學(xué)修為。通過(guò)以上的剖析,能深切感受到朱耷在中國(guó)繪畫(huà)史中的成就與地位,進(jìn)而結(jié)合自我的從藝道路,在學(xué)習(xí)和繪畫(huà)創(chuàng)作中不斷的去實(shí)踐、思考,以期獲得更新的美學(xué)認(rèn)識(shí)與靈感的突破。
[Abstract]:In the history of Chinese painting, Zhu Da is a distinctive artist, poetry, painting, Buddhism, Zen, especially his literati painting works. This article starts with Zhu Da's unique brush and ink language and painting style. It mainly includes five aspects: unique composition, extremely simple brush and ink, grotesque modeling, white eyes and blue sky, changeable pattern recognition, etc., through image analysis. To illustrate the method, to find out the formation of Zhu Da literati painting style: first, born into an artistic family, a good painting foundation since childhood. Second, how difficult life experience, and as a former royal descendant, missing the legacy complex. The third is the Buddhist Daoism and Ji Zen practice. Through the above analysis, we can deeply feel Zhu Da's achievements and position in the history of Chinese painting, and then combine his own art path, continue to practice and think in his study and painting creation. In order to obtain a new aesthetic understanding and inspiration breakthrough.
【學(xué)位授予單位】:吉林藝術(shù)學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2013
【分類(lèi)號(hào)】:J212
【參考文獻(xiàn)】
相關(guān)期刊論文 前6條
1 馬海平;;論自然景觀、人文景觀和藝術(shù)品的不同[J];重慶與世界;2011年01期
2 王亦e
本文編號(hào):1889795
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