本文選題：龜茲壁畫 + 菱形圖式��； 參考：《西南大學(xué)》2014年碩士論文

【摘要】：龜茲石窟壁畫是我國傳統(tǒng)佛教石窟壁畫的重要組成部分,龜茲獨特的地理、歷史環(huán)境使得石窟壁畫藝術(shù)更具龜茲本土特色。壁畫內(nèi)容、題材豐富,為深入了解龜茲地區(qū)的歷史、宗教文化提供了客觀的依據(jù)。菱形格圖式在石窟壁畫中不僅被大量運用,而且這一圖式在龜茲壁畫藝術(shù)中存在了上百年之久,這種現(xiàn)象在國內(nèi)其他四大石窟壁畫中幾乎是沒有的。菱形格圖式不僅是龜茲壁畫藝術(shù)的典型代表,也是龜茲石窟藝術(shù)區(qū)別于其他石窟藝術(shù)的主要標(biāo)志。菱形格壁畫在構(gòu)成形式上極具美感,富有裝飾性,給人帶來美的視覺享受,除此之外,菱形在龜茲壁畫中的產(chǎn)生運用,并非只是簡單的形式符號,它還有著深層的意味。有意味的形式符號、完美的構(gòu)成形式與壁畫主題互相融合,渲染了濃郁的佛國氣氛。這些深深的吸引著我,也更加激起了我對菱形格圖式的探知欲,論文通過對菱形格圖式多角度的研究,以期能為本人今后的壁畫創(chuàng)作帶來啟迪。 本文以龜茲壁畫中的菱形格圖式作為研究內(nèi)容,第一章對龜茲壁畫做了簡單的概述,引出了菱形格壁畫依存的環(huán)境,為下文進(jìn)一步深入的研究做好鋪墊；第二章在對不同時期的菱形的外在形態(tài)做分類與歸納的同時,還對菱形的圖像來源做了探討；第三章對菱形格壁畫的表現(xiàn)手法以及菱形格壁畫的構(gòu)圖結(jié)構(gòu)與主題的表達(dá)、空間型制之間的關(guān)系做了深入研究,分析了菱形格壁畫視覺魅力的關(guān)鍵所在；第四章對菱形格圖式的藝術(shù)價值及深層的文化內(nèi)蘊做了解析,最后基于前文對菱形格壁畫的研究,指出了它對現(xiàn)代壁畫創(chuàng)作帶來的啟示意義：對于畫面形式感的把握、畫面中視覺語言符號的選取都應(yīng)該多角度思考,透過壁畫“內(nèi)”與“外”的相互交融,更好地表現(xiàn)主題。
[Abstract]:The murals of Qiuci grottoes are an important part of the traditional Buddhist cave murals in our country. The unique geography and historical environment of Qiuci make the murals of the grottoes have more local characteristics. The murals are rich in subject matter and provide an objective basis for further understanding of the history and religious culture of Qiuci. The rhombus lattice pattern is not only widely used in grottoes murals, but also exists in Qiuci mural art for hundreds of years. This phenomenon is almost absent in the other four grottoes murals in China. The rhombus lattice pattern is not only the typical representative of Qiuci mural art, but also the main symbol of the difference between Qiuzi grottoes art and other grottoes art. The rhombus mural has the most beautiful feeling in the composition form, rich in decoration, brings the beautiful visual enjoyment, in addition, the rhombus in the Qiuci fresco produces the use, is not only the simple form symbol, it also has the deep meaning. Meaningful formal symbols, perfect forms and mural themes blend together, rendering a strong Buddhist atmosphere. These deeply attracted me, but also aroused my desire to explore the rhombus schema, the thesis through the rhombus schema multi-angle study, in order to bring inspiration for my future murals creation. This paper takes the rhombus lattice schema in Qiuci murals as the research content. The first chapter gives a brief overview of the Qiuci murals, leads to the rhombus murals dependent on the environment, for the following further in-depth research to do a good job; The second chapter classifies and induces the external form of the rhombus in different periods, at the same time, discusses the source of the rhombus image, the third chapter discusses the expression of the rhombus mural, the composition structure and the theme of the rhombus mural. In the fourth chapter, the author analyzes the artistic value and the deep cultural connotation of the rhombus lattice mural, and finally studies the rhombus murals based on the previous research. This paper points out its enlightenment to the creation of modern murals: to grasp the sense of form of the picture, the selection of visual language symbols in the picture should be considered from many angles, and the theme should be better expressed through the mutual integration of the "inside" and "outside" of the murals.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J218.6

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