本文選題：地域性 + 本土文化　； 參考：《西南大學》2014年碩士論文

【摘要】：本文從闡述建國以來貴州現(xiàn)實主義油畫的發(fā)展歷程談起,解析貴州現(xiàn)實主義油畫的本土化因素：地域文化、民俗文化等對貴州現(xiàn)實主義油畫的影響,界定藝術(shù)家的地域性特征,通過分析其作品的畫面語言和作品所隱含的被描述對象的社會背景,以解讀其獨有的本土文化和傳統(tǒng)資源中的精神內(nèi)涵及價值。同時在國內(nèi)外新藝術(shù)思潮和藝術(shù)流派多元化的情況下,分析貴州現(xiàn)實主義油畫的發(fā)展并提出預(yù)設(shè)。最后,根據(jù)現(xiàn)實主義繪畫的科學性,結(jié)合貴州本土地域資源和少數(shù)民族題材油畫的優(yōu)勢,提出現(xiàn)實主義油畫在貴州發(fā)展的可行性和長遠性。并且對貴州現(xiàn)實主義油畫存在的一些不足之處進行解析,如少數(shù)作品脫離本土文化的支撐,使其表現(xiàn)內(nèi)容缺乏原創(chuàng)精神呈簡單化和雷同化,并從選題的角度方面和對畫面精神內(nèi)涵的缺失提出自己的一些見解,借以此文的探索來梳理貴州現(xiàn)實主義油畫創(chuàng)作的發(fā)展脈絡(luò),從中發(fā)掘未來貴州現(xiàn)實主義油畫的創(chuàng)作與發(fā)展和本土文化相互關(guān)聯(lián)的必然性趨勢。 本文共分四個章節(jié)：第一章簡單的梳理了現(xiàn)實主義油畫在貴州產(chǎn)生的歷史背景及原因。第二章著重介紹貴州地域特征、人文文化和時代的發(fā)展,并且對當代貴州現(xiàn)實主義油畫創(chuàng)作的影響。第三章也是本論文寫作的重點所在,本章主要以貴州的油畫家的作品實例,結(jié)合貴州本土文化的審美特點,并通過章節(jié)中所闡述的對“他者”的關(guān)懷以及“自我”的肯定來解讀和分析貴州現(xiàn)實主義油畫在本土文化中精神價值的體現(xiàn)。第四章總結(jié)性的從自身角度去看待貴州現(xiàn)實主義油畫所面臨的問題,并對這些問題提出自己看法和意見,試圖尋找貴州現(xiàn)實主義油畫傳承與發(fā)展的方法。 綜而述之,本課題以貴州本土油畫中具有現(xiàn)實主義傾向作品的藝術(shù)價值探究為出發(fā)點,通過對本土作品的剖析、對比研究,更深刻地解讀貴州現(xiàn)實主義油畫中本土意識和精神價值在其畫面中的呈現(xiàn)。
[Abstract]:This paper discusses the development of realistic oil painting in Guizhou since the founding of the people's Republic of China, analyzes the localization factors of realistic oil painting in Guizhou, such as regional culture, folk culture and so on, and defines the regional characteristics of artists. By analyzing the picture language of his works and the social background of the objects described in his works, the spiritual connotation and value of his unique native culture and traditional resources are interpreted. At the same time, the development of Guizhou realistic oil painting is analyzed and the presupposition is put forward under the situation of the new art trend and the diversity of art schools at home and abroad. Finally, according to the scientific nature of realistic painting, combined with the advantages of Guizhou native regional resources and minority oil painting, the feasibility and long-term development of realistic oil painting in Guizhou are put forward. And some shortcomings of Guizhou realistic oil painting are analyzed, such as a small number of works divorced from the support of local culture, so that the lack of original spirit of its performance is simplified and similar. And from the point of view of topic selection and the lack of spiritual connotation of the screen, put forward some opinions, with the exploration of this article to sort out the development of Guizhou realistic oil painting, Explore the future of Guizhou realistic oil painting creation and development and the inevitable trend of local culture. This paper is divided into four chapters: chapter one simply combs the historical background and reasons of realistic oil painting in Guizhou. The second chapter focuses on the regional characteristics of Guizhou, humanistic culture and the development of the times, and on the contemporary realistic oil painting in Guizhou. The third chapter is also the focus of this paper, this chapter mainly takes the examples of oil painters in Guizhou, combined with the aesthetic characteristics of Guizhou native culture. And through the chapter of the care of the "other" and "self" affirmation to interpret and analyze the spiritual value of Guizhou realistic oil painting in the local culture. The fourth chapter summarizes the problems faced by Guizhou realistic oil painting from its own perspective, and puts forward its own views and opinions on these issues, trying to find the methods of inheritance and development of Guizhou realistic oil painting. As a whole, this subject is based on the exploration of the artistic value of the realistic works in Guizhou native oil painting, through the analysis of the local works, the comparative study, A more profound interpretation of Guizhou realistic oil painting native consciousness and spiritual value in its picture presentation.
【學位授予單位】：西南大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J213

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本文編號：1887087