本文選題：中國抽象藝術 + 本土性�。� 參考：《東北師范大學》2017年碩士論文

【摘要】：中國抽象藝術自20世紀80年代真正產(chǎn)生到現(xiàn)在僅30多年的時間,從事其創(chuàng)作的藝術家日漸增多,藝術家們先后在油畫、水墨、版畫、巖彩等領域的實踐中不斷呈現(xiàn)出多樣化的探索。實踐的探索推動了相關理論探討的展開,但較多的評論家、理論家主要是針對單個藝術家進行個案的研究,抑或僅對某個時間段內(nèi)的中國抽象藝術特征進行分析。此外抽象藝術在引入中國之后,就始終有著自身文化語境的要求,規(guī)約著中國的抽象藝術走著一條具有“中國方式”的道路,在整體發(fā)展中形成了一種本土言說的傾向。基于此背景,論文以本土性為切入點,來重新審視抽象藝術在中國發(fā)展的整個狀態(tài)。論文運用文獻研究法,同時結合系統(tǒng)分析的方法及調(diào)查研究法,重點從中國近現(xiàn)代美術展開的相關背景中,追溯中國抽象藝術產(chǎn)生的潛在因素及早期藝術家探索過程中師傳關系影響下的本土性內(nèi)在訴求的隱性延續(xù)。其次依據(jù)不同時期具體藝術家大量的相關作品,從傳統(tǒng)美學精神的關照和本土性藝術語言、情感的新表達兩個大的方面具體深入剖析這一本土性的整體呈現(xiàn)。最后對中國抽象藝術的演進過程進行層層的深入分析,通過對獨立展覽的形成與多樣展覽方式的推進以及本土性方法論的探求上進一步進行求證。最后揭示這一本土性的訴求意義:它是在全球文化語境下對自我文化身份的確認,它負載著深沉的文化記憶和內(nèi)涵,也承應著時代所給予的責任和擔當。
[Abstract]:Since the 1980s, Chinese abstract art has been produced only for more than 30 years, and the number of artists engaged in its creation has been increasing. Artists have successively worked in oil paintings, ink paintings, prints, etc. Rock color and other areas of practice continue to present a variety of exploration. The exploration of practice has promoted the development of relevant theories, but more critics and theorists mainly focus on individual artists, or only analyze the characteristics of Chinese abstract art in a certain period of time. In addition, abstract art has its own cultural context since it was introduced into China. Abstract art in China is following a road with "Chinese way" and forms a tendency of local expression in the overall development. Based on this background, this paper reexamines the whole development of abstract art in China from the point of view of nativism. The paper uses the literature research method, at the same time combines the systematic analysis method and the investigation research method, mainly from the related background of the Chinese modern art development. This paper traces the potential factors of Chinese abstract art and the recessive continuation of the local internal demands under the influence of the teacher-handed relationship in the early period of artist exploration. Secondly, according to a large number of relevant works of specific artists in different periods, from the traditional aesthetic spirit of the care and native art language, the new expression of emotion two aspects of the specific in-depth analysis of the overall presentation of this nativism. Finally, the evolution process of Chinese abstract art is deeply analyzed, and further proof is made through the formation of independent exhibition, the promotion of various exhibition modes and the exploration of local methodology. Finally, it reveals the significance of this nativism: it is the confirmation of self-cultural identity in the context of global culture, which is loaded with profound cultural memory and connotation, and bears the responsibility and responsibility given by the times.
【學位授予單位】：東北師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J205

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