本文選題：藝術(shù)風(fēng)格 + 借鑒�。� 參考：《云南藝術(shù)學(xué)院》2013年碩士論文

【摘要】：被譽(yù)為“中國心理分析繪畫藝術(shù)的開創(chuàng)者”——朝戈，是一位有著執(zhí)著信念與追求的藝術(shù)家，他以獨(dú)到的藝術(shù)見解，形成了自己的個(gè)性化的藝術(shù)風(fēng)格。古埃及藝術(shù)、古希臘藝術(shù)、文藝復(fù)興前期藝術(shù)、上世紀(jì)30年代藝術(shù)，以及家鄉(xiāng)古樸的蒙古草原石人藝術(shù)，均是朝戈內(nèi)心向往的最具人類感情的藝術(shù)。朝戈的繪畫歷程伴隨著他對繪畫到底是什么的深層追問，這也正是一個(gè)學(xué)者型畫家使命感的體現(xiàn)。他的藝術(shù)觀可以稱之為“社會(huì)心理學(xué)”型的，他要做的是讓繪畫“與人的心理生活、心理活動(dòng)及最深刻的社會(huì)存在”發(fā)生聯(lián)系。在研究西方繪畫大師的作品時(shí)，朝戈特別迷戀文藝復(fù)興早期的波提切利和北歐畫家丟勒等人的繪畫風(fēng)格，在許多肖像作品中表現(xiàn)出對人物的理解分析，以有節(jié)制的色彩和清晰的輪廓線刻畫人物的形象特征，同時(shí)塑造人物的社會(huì)身份。他的藝術(shù)追求促使他不斷嘗試新的繪畫表現(xiàn)形式，并將古老的坦培拉技法運(yùn)用到畫面中。 本文以朝戈的繪畫作品為主線分析了朝戈各個(gè)時(shí)期油畫作品的風(fēng)格以及其成因，解析了朝戈獨(dú)特的視角，含蓄而雋永的繪畫語言，最終聯(lián)系到當(dāng)代部分畫家對朝戈繪畫思想的借鑒，，以及個(gè)人在研究朝戈作品觀念之后的體會(huì)。
[Abstract]:Known as "the pioneer of Chinese psychoanalysis painting art", Chaoge is an artist with persistent belief and pursuit. He has formed his own individualized artistic style with his unique artistic views. Ancient Egyptian art, ancient Greek art, art of the early Renaissance, art of the 1930s, and the ancient Mongolian steppe stone art in his hometown are all the most human emotion art that Chaoge yearned for. Chaoge's painting process is accompanied by his deep questioning of what painting is, which is the embodiment of a scholar's sense of mission. His view of art can be called "social psychology". What he wants to do is to connect painting with people's psychological life, psychological activities and the most profound social existence. In studying the works of Western masters of painting, Chaogott was infatuated with the painting styles of early Renaissance artists such as Botticelli and the Nordic painter Diller, showing an understanding of the characters in many portraits. It portrays the characters with restrained colors and clear contours, and at the same time shapes the social identity of the characters. His artistic pursuit prompted him to try new forms of painting and apply the old Tampella technique to the picture. Based on Chaoge's painting works, this paper analyzes the style and cause of formation of Chaoge's oil paintings in various periods, and analyzes his unique visual angle and implicit and meaningful painting language. Finally, it relates to the reference of some contemporary painters to Chaoge's painting thought, and the personal experience after studying the concept of Chaoge's works.
【學(xué)位授予單位】：云南藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J213

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相關(guān)期刊論文 前1條

1 劉義軍;;省思中國當(dāng)代文學(xué)創(chuàng)作精神的價(jià)值失落[J];當(dāng)代文壇;2007年06期

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