本文選題：中國(guó)傳統(tǒng)色彩 + 西方色彩造型�。� 參考：《江西科技師范大學(xué)》2014年碩士論文

【摘要】：色彩作為情感的符號(hào)和載體，，是繪畫語言的重要表現(xiàn)形式，是畫家抒發(fā)情感和思想的重要手段。色彩表現(xiàn)的多元化是時(shí)代對(duì)現(xiàn)代漆畫的要求，也是現(xiàn)代漆畫走向成熟的標(biāo)志。但漆畫畢竟是年輕畫種，相較于其它畫種的色彩語言表現(xiàn)而言，還存在著色彩語言的局限性，色彩的當(dāng)代性不明確等一些問題亟待我們?nèi)ニ伎己屯晟啤?本文在收集資料和調(diào)查研究的基礎(chǔ)上，從漆畫色彩語言形成的背景入手，明確中西方色彩語言對(duì)現(xiàn)代漆畫色彩語言建構(gòu)產(chǎn)生了巨大影響，但漆畫色彩語言有其獨(dú)特的個(gè)性；闡述作者群素質(zhì)對(duì)漆畫創(chuàng)作中色彩語言的組織和表達(dá)的直接影響，明確創(chuàng)作隊(duì)伍的建設(shè)和水平至關(guān)重要；通過賞析漆畫優(yōu)秀作品的方法，對(duì)漆畫色彩語言要素的運(yùn)用以及漆畫色彩語言在不同畫面風(fēng)格中的表現(xiàn)形式進(jìn)行整體的分析；梳理當(dāng)代語境下對(duì)漆畫色彩語言圖式的要求，從而更加準(zhǔn)確地運(yùn)用漆畫色彩獨(dú)立的審美價(jià)值和豐富的表現(xiàn)力為藝術(shù)家和觀眾的心靈之間架起一道相互溝通的橋梁。論文旨在比較全面歸納漆畫色彩語言的基礎(chǔ)知識(shí)，豐富漆畫色彩語言的理論體系，提高色彩欣賞與創(chuàng)作的藝術(shù)修養(yǎng)，更好地形成漆畫色彩的技能，以及為漆畫創(chuàng)作中色彩語言表現(xiàn)提供實(shí)際資料與理論依據(jù)。
[Abstract]:Color, as a symbol and carrier of emotion, is an important expression of painting language and an important means for painters to express feelings and thoughts. The diversity of color expression is the requirement of modern lacquer painting and the symbol of modern lacquer painting. After all, lacquer painting is a young painting, compared with the color language performance of other kinds of painting, There are still some limitations such as the limitation of color language, the lack of clarity of color and so on.
This paper, based on the collection of data and investigation, starts with the background of the formation of color language in lacquer painting, and makes clear that Chinese and Western color language has a great influence on the construction of color language in modern lacquer painting, but the color language of lacquer painting has its unique personality, and describes the organization and expression of color language in the creation of lacquer painting by the quality of the author group. It is very important to make clear the construction and level of the creative team. Through the method of appreciating the excellent works of lacquer painting, the use of the color language elements of lacquer painting and the expression form of lacquer color language in different picture styles are analyzed, and the requirements of the color language schema of lacquer painting in the contemporary context are combed, thus more accurate. Using the independent aesthetic value and expressive force of lacquer painting to build a bridge of communication between the artist and the soul of the audience, the paper aims to compare the basic knowledge of the color language of lacquer painting, enrich the theory system of lacquer painting color language, improve the artistic accomplishment of color appreciation and creation, and make better topographic paint. The ability to paint colors and provide practical data and theoretical basis for the performance of color language in lacquer painting.

【學(xué)位授予單位】：江西科技師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J213.9

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本文編號(hào)：1880425