本文選題：黃土高原題材 + 油畫��； 參考：《太原理工大學》2014年碩士論文

【摘要】：黃土高原是華夏文明的發(fā)祥地。地域自然資源是當?shù)厝宋沫h(huán)境形成的重要前提,也是地域藝術生成與發(fā)展的重要因素。黃土題材油畫作品依托地域的民間文化,地形地貌,挖掘其獨特的精神內(nèi)涵和民族特性。這一題材也不斷的被畫家所關注,并用自己對這一地域的理解,以不同的創(chuàng)作形式創(chuàng)作出許多具有地域特色的優(yōu)秀作品,近些年隨著社會的快速發(fā)展,城鎮(zhèn)化建設的不斷推進,對當?shù)氐娜宋沫h(huán)境,生活環(huán)境有了很大的改變。這一變化也使得黃土題材的繪畫作品有了更廣闊的研究空間。 探討當代黃土題材油畫如何創(chuàng)新發(fā)展,滿足人們的審美理想,是黃土題材油畫作品的主要藝術特色。黃土題材油畫家植根與本土文化,在傳統(tǒng)民間文化的基礎上采用西方繪畫的表現(xiàn)工具材料,吸收現(xiàn)代精神,從民俗的圖式到現(xiàn)實的審美,從表現(xiàn)材料的運用到形式的創(chuàng)意,在當代油畫創(chuàng)作形式和民俗文化間尋找新的結合。所以有必要對黃土高原的自然環(huán)境、民俗、民風、工藝美術的繼承和創(chuàng)新等幾個方面進行研究。這些方面的研究對黃土題材油畫當代性、民族性的創(chuàng)作帶來新的啟示和思路,具有現(xiàn)實意義和重要的學術價值。對中國油畫事業(yè)發(fā)展“民族化”起到了重要的作用。 黃土高原題材作品在油畫發(fā)展中弘揚了鄉(xiāng)土美學。黃土高原題材的油畫顯示了民族化道路的發(fā)展?jié)摿?對獨特美學內(nèi)涵的賞析,論述中國鄉(xiāng)土題材油畫的形式內(nèi)容,及黃土題材畫家的藝術成就與貢獻。對黃土高原題材油畫作品的研究,事實客觀,把黃土高原的真實價值挖掘了出來,以此來作其產(chǎn)生的藝術價值總結,為我國油畫事業(yè)的發(fā)展作有效地參考。
[Abstract]:The Loess Plateau is the birthplace of Chinese civilization. Regional natural resources is an important prerequisite for the formation of local humanistic environment, and also an important factor for the formation and development of regional art. Loess oil painting works based on regional folk culture, topography and landform, excavate its unique spiritual connotation and national characteristics. This theme has been paid more and more attention to by painters, and with their own understanding of the region, many excellent works with regional characteristics have been created in different forms of creation. In recent years, with the rapid development of society, the construction of urbanization continues to advance. To the local humanities environment, the living environment has had the very big change. This change also makes the loess subject matter painting work has the broader research space. It is the main artistic feature of loess oil paintings to probe into how to innovate and develop oil paintings of contemporary loess subject matter to satisfy people's aesthetic ideal. On the basis of traditional folk culture, oil painters of loess subject matter plant their roots and adopt the expressive material of western painting, absorbing modern spirit, from the schema of folklore to the aesthetic of reality, from the application of expressive material to the creativity of form. Find a new combination between contemporary oil painting creation form and folk culture. Therefore, it is necessary to study the natural environment, folklore, folk custom, inheritance and innovation of arts and crafts on the Loess Plateau. The research on these aspects has practical significance and important academic value to the contemporary and national creation of loess oil painting. It plays an important role in the development of Chinese oil painting. Loess Plateau theme works in the development of oil painting carried forward the local aesthetics. The oil painting of the Loess Plateau shows the development potential of the nationalization road, the appreciation of the unique aesthetic connotation, the formal content of the Chinese local oil painting, and the artistic achievements and contributions of the loess-themed painters. The study of oil painting works on the Loess Plateau is based on the fact that the true value of the Loess Plateau has been excavated to sum up the artistic value of the Loess Plateau so as to provide an effective reference for the development of oil painting in our country.
【學位授予單位】：太原理工大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J213

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