本文選題：兒童繪畫 + 稚拙美　； 參考：《華中師范大學(xué)》2014年碩士論文

【摘要】：稚拙美藝術(shù)有著悠久的歷史,它是早期人類生活文明的產(chǎn)物。稚拙美在最原始的藝術(shù)到現(xiàn)代的各種形式的藝術(shù)創(chuàng)作作品中都有所體現(xiàn),藝術(shù)的本質(zhì)是感性認(rèn)識(shí)和生命的體驗(yàn)。人類最初的藝術(shù)活動(dòng)不經(jīng)過專門的訓(xùn)練,是人們自發(fā)和天然的本性,原始人類和兒童對(duì)他們所見所聞的事物經(jīng)過感性的思維用最樸實(shí)和真摯的情感方式表達(dá)出來,或是超于現(xiàn)實(shí),或是過于夸張,都是反映兒童心靈最純真的想法,從而漸漸的形成了一種具有稚拙美的繪畫作品。 稚拙美是許多美的形式中的一種,這種美源自藝術(shù)家對(duì)心靈美真摯的追求,稚拙美的繪畫表達(dá)的是純真善良的情感,它粗狂不拘一格的繪畫風(fēng)格對(duì)背負(fù)沉重壓力的現(xiàn)代人是一種心靈的沖擊,引發(fā)了人們對(duì)于生活本質(zhì)的思考。使人們懂得發(fā)掘真實(shí)、純樸的美。 在繪畫創(chuàng)作中,一些藝術(shù)家們受到這種稚拙美的洗禮,他們厭倦了理性的繪畫技術(shù),開始不安于常規(guī),打破傳統(tǒng)的繪畫模式,從原創(chuàng)作品中尋求新的藝術(shù)形式,追求原始的回歸,追求自然情感的流露和率真,而兒童畫的稚拙美所表現(xiàn)出的純真質(zhì)樸的心靈和簡(jiǎn)單樸素的外在形式是藝術(shù)家們探索的新方向。這種具有稚拙美特征的繪畫形式對(duì)現(xiàn)代繪畫中對(duì)于內(nèi)在和本質(zhì)的情感的追求有著深刻的影響,它的精神內(nèi)涵在現(xiàn)代繪畫里,透射出美的不可抗拒的力量。兒童繪畫表現(xiàn)出的稚拙美的藝術(shù)形式正是以最誠實(shí)淳樸、善良活潑、可愛的魅力,讓我們?cè)谥勺久赖睦L畫作品中尋找那份純真善良的精神世界。 本文主要探討了兒童繪畫稚拙美的表現(xiàn)形式,進(jìn)而通過分析西方藝術(shù)作品中稚拙藝術(shù)產(chǎn)生的因素,得出西方藝術(shù)家在創(chuàng)作過程中對(duì)兒童稚拙元素的借鑒的結(jié)論,基于這個(gè)基礎(chǔ)之上,較為深入地分析了,從兒童繪畫的稚拙美中應(yīng)該對(duì)當(dāng)代繪畫創(chuàng)作有所思考
[Abstract]:The immature and beautiful art has a long history. It is the product of the early human life and civilization. The immature beauty is reflected in the most primitive art to modern forms of artistic creation. The essence of the art is the perceptual knowledge and the experience of life. The original art activities of human beings are spontaneous and natural without special training. The nature, the original human and the children are expressed in the most simple and sincere emotional way of what they see and heard through perceptual thinking, or beyond reality, or too exaggerated, which reflect the most pure thoughts of the children's mind, and gradually form a kind of childish and beautiful painting.
Unclumsy beauty is one of many beautiful forms. This beauty derives from an artist's sincere pursuit of the beauty of the mind. The painting of a childish beauty expresses a pure and kind emotion. The modern man with a heavy and unconstrained style of painting is an impact of a modern man with heavy pressure. It causes people to think about the nature of life. Discover the truth, the simplicity of beauty.
In the creation of painting, some artists have been baptized by this kind of childish beauty. They are tired of the rational painting technology, begin to dissolve the conventional pattern, break the traditional painting pattern, seek new artistic forms from the original works, pursue the original return, pursue the exposure and frankness of the natural emotion, and the childish beauty of the children's painting shows pure and pure. The real and simple mind and simple and simple external form are the new direction of the artists' exploration. This style of painting with the characteristics of childish beauty has a profound influence on the pursuit of inner and essential emotion in modern painting. Its spiritual connotation in modern painting shows the irresistible force of beauty. The artistic form of naive beauty is just the most honest and simple, good and lively, lovely charm, let us look for the pure and good spirit world in the childish and beautiful paintings.
This article mainly discusses the expression form of childish beauty of children's painting, and then through the analysis of the factors produced by the childish art in the western art works, we can draw a conclusion that western artists use for reference to the childish elements of children in the process of creation. Based on this, it is more in-depth analysis, from the childish beauty of children's painting to the present age. Thinking of painting creation

【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J219

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本文編號(hào)：1877582